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Ballet Lesson Plan for Beginning Adults, Esquemas y mapas conceptuales de Derecho

A comprehensive ballet lesson plan designed for beginning adult dancers. The lesson covers a wide range of fundamental ballet techniques, including barre exercises, center work, and allegro combinations. The plan is structured to address the cognitive, kinesthetic, and affective domains of learning, ensuring that dancers develop both technical proficiency and a positive approach to the art form. The lesson incorporates various teaching methods, such as guided imagery, to help students move more easily through the steps. Detailed instructions for each section of the class, including warm-up, center strengthening, tendu, dégagé, rond de jambe, and reverence. This lesson plan could be valuable for ballet instructors working with adult beginners, as it offers a well-rounded and structured approach to introducing the fundamentals of ballet technique.

Tipo: Esquemas y mapas conceptuales

2022/2023

Subido el 04/09/2023

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Ballet Lesson Plan for Beginning Adults
Cognitive: Dancers will be required to remember principles from the barre and carry
them into the center work.
Kinesthetic: Dancers will build strength and develop body awareness, specifically
focusing on the mechanics of the arabesque.
Affective: Dancers will be approach ballet with a positive energy, finding imagery
throughout the movement in order to move more easily through the steps.
Center Strengthening/ Warm up- Ellie: With legs to the front in sixth position, turn in and
out at the hip joint with feet flexed, and then pointed. Stretch forward over the legs.
Repeat hip articulation and stretch. With the legs in a wide position, or straddle, stretch to
the side, then over the leg, and then between the legs. Alternate sides. Clamshell
exercises on both sides.
Plank, later extending one leg at a time to prepare for arabesque.
Stretch/Foot articulation-Ellie: In parallel position, circle the shoulders at the shoulder,
then the elbow, the full arm, and contract forward. Repeat circling the joint the opposite
direction and ending in high release. Repeat the shoulder exercises. Roll down and stretch
the hamstrings. Plié twice, and then roll back up to standing, stepping in to the barre.
Foot articulation with increasing speed follows, one in four counts, one in two counts,
and two in one count. Repeat with the left foot. Parallel tendus to the front, the third
tendu lowers and flexes, followed by two regular tendus, and a plié relevé. Repeat the
tendus to the left. Turn out to first position and repeat the articulation (right, left) and then
tendus (right, left) to the side, rather than front. Side stretch to the right and left, followed
by a brief balance in relevé.
Plies- Nicole: Music is in a three. Begin in first position with the left hand on the barre.
Prepare “5678” with right arm taking a small breath and then going back down to bras ba.
Perform two demi plies in first position, with the arms carrying through the port de bras
(small breath, go through bras ba, first position, and open to second). Each demi plie
takes a full three to hit the bottom of the plie and takes a full three to straighten. After the
two demi plies, go into a grand plie in two threes (“5-2-3”, “6-2-3”) and then recover to
straight legs in two threes (7-2-3. 8-2-3). Releve in first position (feet and arms) for two
threes (9-2-3, 10-2-3). Recover on “11-2-3” and tendu to second on “12-2-3”. Repeat the
same layout in second position. Following this, tendu to first position and soutenu to left
side and repeat.
Tendus- Nicole: Music is in a two. Begin with preparation (5678) carrying the arm into
first and opening to second. Tendu twice to the front (out 1 close 2, out 3 close 4). Tendu
to the side twice (out 5 close 6, out 7 close 8). Repeat again to the back (out 1 close 2, out
3, close 4). Perform one tendu to the side on 5, close and plie on 6, and open arms
through first to second on 7,8. Repeat combination starting en dedans. Releve and
soutenu to the left side and repeat.
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Ballet Lesson Plan for Beginning Adults Cognitive: Dancers will be required to remember principles from the barre and carry them into the center work. Kinesthetic: Dancers will build strength and develop body awareness, specifically focusing on the mechanics of the arabesque. Affective: Dancers will be approach ballet with a positive energy, finding imagery throughout the movement in order to move more easily through the steps. Center Strengthening/ Warm up- Ellie: With legs to the front in sixth position, turn in and out at the hip joint with feet flexed, and then pointed. Stretch forward over the legs. Repeat hip articulation and stretch. With the legs in a wide position, or straddle, stretch to the side, then over the leg, and then between the legs. Alternate sides. Clamshell exercises on both sides. Plank, later extending one leg at a time to prepare for arabesque. Stretch/Foot articulation-Ellie: In parallel position, circle the shoulders at the shoulder, then the elbow, the full arm, and contract forward. Repeat circling the joint the opposite direction and ending in high release. Repeat the shoulder exercises. Roll down and stretch the hamstrings. Plié twice, and then roll back up to standing, stepping in to the barre. Foot articulation with increasing speed follows, one in four counts, one in two counts, and two in one count. Repeat with the left foot. Parallel tendus to the front, the third tendu lowers and flexes, followed by two regular tendus, and a plié relevé. Repeat the tendus to the left. Turn out to first position and repeat the articulation (right, left) and then tendus (right, left) to the side, rather than front. Side stretch to the right and left, followed by a brief balance in relevé. Plies- Nicole: Music is in a three. Begin in first position with the left hand on the barre. Prepare “5678” with right arm taking a small breath and then going back down to bras ba. Perform two demi plies in first position, with the arms carrying through the port de bras (small breath, go through bras ba, first position, and open to second). Each demi plie takes a full three to hit the bottom of the plie and takes a full three to straighten. After the two demi plies, go into a grand plie in two threes (“5- 2 - 3”, “6- 2 - 3”) and then recover to straight legs in two threes (7- 2 - 3. 8- 2 - 3). Releve in first position (feet and arms) for two threes (9- 2 - 3, 10- 2 - 3). Recover on “11- 2 - 3” and tendu to second on “12- 2 - 3”. Repeat the same layout in second position. Following this, tendu to first position and soutenu to left side and repeat. Tendus- Nicole: Music is in a two. Begin with preparation (5678) carrying the arm into first and opening to second. Tendu twice to the front (out 1 close 2, out 3 close 4). Tendu to the side twice (out 5 close 6, out 7 close 8). Repeat again to the back (out 1 close 2, out 3, close 4). Perform one tendu to the side on 5, close and plie on 6, and open arms through first to second on 7,8. Repeat combination starting en dedans. Releve and soutenu to the left side and repeat.

Degage/battement pique- Katherine: Stand in first position with the left hand on the bar. Prepare “5678” with arm coming through first position to second, where it remains through the entire combination. Degage three times to the front; on third degage, pique foot (toe touches ground 6, up 7) close by 8. Repeat side and back. Then two counts to pique front, carry en l’aire ground to side on pique 3 4, carry en l’aire to back to pique 5 6, close to first 7 8. Repeat entire combination starting from the back. Plié in first position, roll through feet up to releve with arms in first position. Rond de jambe- Katherine: Music is in a three. Start in first position with left hand on the bar. Prepare arm 5 6 7 8 to second position. Tendu front; keeping it extended pull it to the side then to the back by 3, close 4. Repeat 5 6 7 8. Tendu front 1; keeping it on the ground, rond de jambe to the back by 2. Repeat three more times. Degage front 1, pique 2 up 3, close 4. Repeat to side and back. Then pique front 5 carry to the side 6 carry to the back pique 7 close by 8. Repeat rond de jambs going back to front, and pique series going back to front. Coupe/Passe- Marissa Graham: From third coupe scooping the foot up twice (12345678) the passé change going through coupe position and plié landing back. Repeat exercise from back. Porte de bras forward 12345678 and reaching back 1234 coming up 5678. Barre Adagio- Audrey: Adagio at the barre. Prepare 7 8 tendu 1 2 fondue 3 4 port de bra forward reaching long through the spine 7 8 bring it up 3 4 arms open 5 6 tendu to close first 78 repeat to back tendu back 12 fondue 3 4 port de bra reaching up and over staying tall on the standing leg 7 8 bring it up 3 4 arms open 5 6 tendu to close 7 8 passé 1 2 turn it in turn it out, develope to the back hold 6 down 7 tendu close 8 Passé 1 2 turn it in turn it out, develope to the side hold 6 soutenu 7 8 Tendus in center- Marissa Graham: Tendu changing in fifth going backwards four times and repeat coming forward. Repeat first half (tendus going back). When coming forward second time, do passé coming from back. Center adagio- Audrey: Same as first part of the barre adagio with more "imagery" - founde port de bra front, back, repeat to the left. Waltz-Hannah: Dancers begin in the corner in b plus position. Balance right, 1,2,3, Balance left 2,2,3. Pique first arabesque (on flat or on releve) 3,2,3. Step forward, 4,2,3. Pique first arabesque (on flat or on releve) 5,2,3. Step forward, 6,2,3. Walk 7,2,3, Walk 8,2,3. Dancer should repeat the combination until she or he exits. Petite Allegro/Warm up Jumps- Marisa Righi: Music is in a two. 8 Saute jumps in first position. 8 Saute jumps in second position. Then, repeat combinations while playing with facing down stage up stage/each other.