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Write a free-verse poem about any subject important to you ..., Summaries of Poetry

Option 7 Examples – Write a free-verse poem about any subject important to you, and powerfully capture your chosen experience, subject, or point of view ...

Typology: Summaries

2021/2022

Uploaded on 09/12/2022

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Option 7 Examples Write a free-verse poem about any subject important to you, and powerfully
capture your chosen experience, subject, or point of view without relying on regular rhythm and rhyme.
Elizabeth Bishop (1911-1979)
Filling Station
Oh, but it is dirty!
this little filling station,
oil-soaked, oil-permeated
to a disturbing, over-all
black translucency.
Be careful with that match!
Father wears a dirty,
oil-soaked monkey suit
that cuts him under the arms,
and several quick and saucy
and greasy sons assist him
(it’s a family filling station),
all quite thoroughly dirty.
Do they live in the station?
It has a cement porch
behind the pumps, and on it
a set of crushed and grease-
impregnated wickerwork;
on the wicker sofa
a dirty dog, quite comfy.
Some comic books provide
the only note of color
of certain color. They lie
upon a big dim doily
draping a taboret
(part of the set), beside
a big hirsute begonia.
Why the extraneous plant?
Why the taboret?
Why, oh why, the doily?
(Embroidered in daisy stitch
with marguerites, I think,
and heavy with gray crochet.)
Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe. Somebody
arranges the rows of cans
so that they softly say:
ESSOSOSOSO
to high-strung automobiles.
Somebody loves us all.
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Option 7 Examples – Write a free-verse poem about any subject important to you, and powerfully

capture your chosen experience, subject, or point of view without relying on regular rhythm and rhyme.

Elizabeth Bishop (1911-1979)

Filling Station

Oh, but it is dirty!

—this little filling station,

oil-soaked, oil-permeated

to a disturbing, over-all

black translucency.

Be careful with that match!

Father wears a dirty,

oil-soaked monkey suit

that cuts him under the arms,

and several quick and saucy

and greasy sons assist him

(it’s a family filling station),

all quite thoroughly dirty.

Do they live in the station?

It has a cement porch

behind the pumps, and on it

a set of crushed and grease-

impregnated wickerwork;

on the wicker sofa

a dirty dog, quite comfy.

Some comic books provide

the only note of color—

of certain color. They lie

upon a big dim doily

draping a taboret

(part of the set), beside

a big hirsute begonia.

Why the extraneous plant?

Why the taboret?

Why, oh why, the doily?

(Embroidered in daisy stitch

with marguerites, I think,

and heavy with gray crochet.)

Somebody embroidered the doily.

Somebody waters the plant,

or oils it, maybe. Somebody

arranges the rows of cans

so that they softly say:

ESSO—SO—SO—SO

to high-strung automobiles.

Somebody loves us all.

Nate Marshall (b.1989) on caskets After Suji Kwock Kim 1 decorating the dead is among the most basic human instincts, to return the borrowed body & acknowledge Earth as maker & home. Neanderthals used antlers & flowers. Egyptians had pyramids with peasants buried in the walls they built. some niggas just get a pine box. hopefully you get a hole or a flame. some only get a cold cabinet in the morgue until somebody or nobody claims them as a loss. 2 a permanent fixture on my to-do list is research life insurance plans. pick a good one with a fair rate & enough money to buy a nice box. 3 everything gonna be all right this morning & i contemplate the implications of the statement for the night. everything in Mississippi is too cruel to bury. i wonder what that means if every body in Chicago has red clay in its lineage. Chief Keef must know in his bones ball like it’s no tomorrow from what Muddy time-capsuled into the South Side ground. 4 when grandma died she left mama a notepad with instructions. the one i remember was get the casket you want. what you like. don’t be pressured. we wore blue at the service. we matched the box & its glossy painted ribbons, gold-flecked & light. 5 house slaves are responsible for preparing the dead of the master’s house. they clean & clothe. they dig the hole. they don’t bury any black body really, only dispose. one of the concessions won by slave riots was the right to a funeral. whitefolk were

when i was a young boy at the age of five my mama said i gon’ be the greatest man alive. these children don’t expect to live past 30. they come to these funerals & they represent. they put themselves in the place of the person in the casket.