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Discussion Guide
The Book Thief
by Markus Zusak
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About the Author
Markus Zusak was born in 1975 and is the author of five books, including the international bestseller, The Book Thief , which is translated into more than forty languages. First released in 2005, The Book Thief has spent more than a decade on the New York Times bestseller list, and still remains there to this day. His first three books, The Underdog, Fighting Ruben Wolfe and When Dogs Cry (also known as Getting the Girl ), released between 1999 and 2001, were all published internationally and garnered a number of awards and honours in his native Australia and the USA. The Messenger (or I am the Messenger ), published in 2002, won the 2003 Australian Children’s Book Council Book of the Year Award (Older Readers) and the 2003 NSW Premier's Literary Award (Ethel Turner Prize), as well as receiving a Printz Honour in America. It also won numerous national readers’ choice awards across Europe, including, in 2007, the highly regarded Deutscher Jugendliteratur Jugendjury prize in Germany, which he won again for The Book Thief in 2010. It is The Book Thief , however, that has established Markus Zusak as one of the most successful authors to come out of Australia. To date, The Book Thief has held the number one position at Amazon.com, Amazon.co.uk, the New York Times bestseller list, as well as in countries across South America, Europe and Asia. It has also been in the top five bestsellers in the UK and several other territories. It has amassed many and varied awards, ranging from literary prizes to readers’ choice awards to prizes voted on by booksellers. It was the only book to feature on both the USA and UK World
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Book Night Lists in 2012, and has been voted as Australian readers’ favourite book by iconic independent bookstore, Dymocks, three years running. In 2013, The Book Thief was adapted to screen, directed by Emmy Award- winning Brian Percival ( Downton Abbey ) and shot in Berlin by Twentieth Century Fox. The cast was headlined by Academy Award winner Geoffrey Rush ( Shine, The King’s Speech ) and Academy Award nominee Emily Watson ( Breaking the Waves, Anna Karenina ). It also cast Sophie Nelisse ( Monsieur Lazhar ), as Liesel Meminger. The Guardian calls The Book Thief “a novel of breathtaking scope, masterfully told.” The New York Times : “Brilliant and hugely ambitious…the kind of book that can be life-changing.” The Age : “an original, moving, beautifully written book.” In 2014, Zusak received the American Library Association’s Margaret Edwards award for significant and lasting contribution to young adult literature, for his body of work ranging from The Underdog up to The Book Thief. Markus Zusak grew up in Sydney, Australia, and still lives there with his wife and two children.
Discussion Guide
The Book Thief
by Markus Zusak
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Discussion Questions
- Discuss the symbolism of Death as the omniscient narrator of the novel. What are Death’s feelings for each victim? Describe Death’s attempt to resist Liesel. Death states, “I’m always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both.” (p. 491) What is ugly and beautiful about Liesel, Rosa and Hans Hubermann, Max Vandenburg, Rudy Steiner, and Mrs. Hermann? Why is Death haunted by humans?
- What is ironic about Liesel’s obsession with stealing books? Discuss other uses of irony in the novel.
- The Grave Digger’s Handbook is the first book Liesel steals. Why did she take the book? What is significant about the titles of the books she steals? Discuss why she hides The Grave Digger’s Handbook under her mattress. Describe Hans Hubermann’s reaction when he discovers the book. What does the act of book thievery teach Liesel about life and death? Explain Rudy’s reaction when he discovers that Liesel is a book thief. How does stealing books from the mayor’s house lead to a friendship with the mayor’s wife? Explain how Liesel’s own attempt to write a book saves her life.
- Liesel believes that Hans Hubermann’s eyes show kindness, and from the beginning she feels closer to him than to Rosa Hubermann. How does Hans gain Liesel’s love and trust? Decide whether Liesel is a substitute for Hans’s children, who have strayed from the family. Why is it so difficult for Rosa to demonstrate the same warmth toward Liesel? Discuss how Diesel’s relationship with Rosa changes by the end of the novel.
- Abandonment is a central theme in the novel. The reader knows that Liesel feels abandoned by her mother and by the death of her brother. How does she equate love with abandonment? At what point does she understand
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why she was abandoned by her mother? Who else abandons Liesel in the novel? Decide whether she was abandoned by circumstance or by the heart.
- Guilt is another recurring theme in the novel. Hans Hubermann’s life was spared in France during World War I, and Erik Vandenburg’s life was taken. Explain why Hans feels guilty about Erik’s death. Guilt is a powerful emotion that may cause a person to become unhappy and despondent. Discuss how Hans channels his guilt into helping others. Explain Max Vandenburg’s thought, “Living was living. The price was guilt and shame.” (p. 208) Why does he feel guilt and shame?
- Compare and contrast the lives of Liesel and Max Vandenburg. How does Max’s life give Liesel purpose? At what point do Liesel and Max become friends? Max gives Liesel a story called “ The Standover Man ” for her birthday. What is the significance of this story?
- Death says that Liesel was a girl “with a mountain to climb.” (p. 86) What is her mountain? Who are her climbing partners? What is her greatest obstacle? At what point does she reach the summit of her mountain? Describe her descent. What does she discover at the foot of her mountain?
- Hans Junior, a Nazi soldier, calls his dad a coward because he doesn’t belong to the Nazi Party. He feels that you are either for Hitler or against him. How does it take courage to oppose Hitler? There isn’t one coward in the Hubermann household. Discuss how they demonstrate courage throughout the novel.
- Describe Liesel’s friendship with Rudy. How does their friendship change and grow throughout the novel? Death says that Rudy doesn’t offer his friendship “for free.” (p. 51) What does Rudy want from Liesel? Discuss Death’s statement, “The only thing worse than a boy who hates you [is] a boy who loves you.” (p. 52) Why is it difficult for Liesel to love Rudy? Discuss why Liesel tells Mr. Steiner that she kissed Rudy’s dead body.
- How does Zusak use the literary device of foreshadowing to pull the reader into the story?
- Liesel Meminger lived to be an old woman. Death says that he would like to tell the book thief about beauty and brutality, but those are things that she had lived. How does her life represent beauty in the wake of brutality?
Discussion Guide
The Book Thief
by Markus Zusak
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Reviews
Some will argue that a book so difficult and sad may not be appropriate for teenage readers. The Book Thief was published for adults in Zusak's native Australia, and I strongly suspect it was written for adults. Adults will probably like it (this one did), but it's a great young-adult novel. Many teenagers will find the story too slow to get going, which is a fair criticism. But it's the kind of book that can be life-changing, because without ever denying the essential amorality and randomness of the natural order, The Book Thief offers us a believable, hard-won hope. That hope is embodied in Liesel, who grows into a good and generous person despite the suffering all around her, and finally becomes a human even Death can love. The hope we see in Liesel is unassailable, the kind you can hang on to in the midst of poverty and war and violence. Young readers need such alternatives to ideological rigidity, and such explorations of how stories matter. And so, come to think of it, do adults. John Green - New York Times Book Review While it is set in Germany during World War II and is not immune to bloodshed, most of this story is figurative: it unfolds as symbolic or metaphorical abstraction. The dominoes lined up on its cover are compared to falling bodies. The book thief of the title is a schoolgirl named Liesel Meminger, and the meaning of her stealing is not left unexplained. She has been robbed of a brother, who dies at the start of the book. Her mother disappears, and then Liesel is left in foster care. A great deal has been taken away from her. She steals books to settle the score.... The Book Thief will be appreciated for Mr. Zusak's audacity, also on display in his earlier " I Am the Messenger ." It will be widely read and admired because it tells a story in which books become treasures. And because there's no arguing with a sentiment like that. Janet Maslin - New York Times The Book Thief is unsettling and unsentimental, yet ultimately poetic. Its
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grimness and tragedy run through the reader's mind like a black and white movie, bereft of the colors of life. Zusak may not have lived under Nazi domination, but The Book Thief deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank and Elie Wiesel's Night. It seems poised to become a classic. USA Today (Audio version.) Corduner uses considerable zeal and a talent for accents to navigate Zusak's compelling, challenging novel set in Nazi Germany. Death serves as knowing narrator for the tale, which is framed much like a lengthy flashback. The storytelling aspects of this structure include asides to the listener, and lots of foreshadowing about what eventually happens to the various lead characters, appealing features for listeners. But Corduner seems to most enjoy embracing the heart of things here-the rather small and ordinary saga of 10-year-old Liesel Meminger, who has been given over to a foster family following her mother's branding as a "Kommunist" and the death of her younger brother. Under her foster parents' care, she learns how to read, how to keep terrifying secrets and how to hone her skills as a book thief, a practice that keeps her sane and feeds her newfound love of words. With quick vocal strokes, Corduner paints vivid, provocative portraits of Germans and Jews under unfathomable duress and the ripple effect such circumstances have on their lives. (For Ages 12-up.) Publishers Weekly (Audio version.) With Death as narrator, Markus Zusak's haunting novel follows Liesel Meminger, The Book Thief , through the fear-filled years of Nazi Germany. The story opens as the ten-year-old girl takes her first book shortly after her younger brother's death. Both children were on route to the foster home of Hans and Rosa Hubermann in a Munich suburb. Despite Rosa's sharp tongue and Hans's lack of work, their home is a loving refuge for the nightmare-ridden girl. It also becomes a hideout for Max, a young Jewish man whose father saved Hans's life. Liesel finds solace with her neighbor Rudy and her creative partnership with Max. Accompanied by Rudy, the girl copes by stealing food from farmers and books from the mayor's wife. There are also good moments as she learns to read and plays soccer, but Hans's ill-advised act of kindness to a Jewish prisoner forces Max to leave their safe house. The failing war effort and bombing by the Allies lead to more sacrifices, a local suicide and, eventually, to great losses. Reading books and writing down her experiences save Liesel, but this novel clearly depicts the devastating effects of war. Narrator Allan Corduner
