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test 1 | ART 313 - Contemporary Art, Quizzes of Art

Class: ART 313 - Contemporary Art; Subject: Art; University: California State Polytechnic University - Pomona; Term: Fall 2014;

Typology: Quizzes

2014/2015

Uploaded on 10/01/2015

cyndivarela1214
cyndivarela1214 🇺🇸

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TERM 1
Clement Greenberg
DEFINITION 1
American art critic in 1960 who applied modernism to visual
art (as opposed to decorative art) first. He defined what he
saw as characteristic of the evolution of art from the 1860s
through the 1950s.
TERM 2
Clement Greenberg's philosophy of art
DEFINITION 2
Modernism art is self critical (new art must be criticism of
older art). By being self-critical, art "moves culture forward"
(a universalist notion; art progress should transcend cultural
differences)
TERM 3
modernism
DEFINITION 3
A term applied to visual fine art (as opposed to decorative
art) first by American art critic Clement Greenberg in 1960 to
define what he saw as characteristic of the evolution of art
from the 1860s through the 1950s.
TERM 4
formalism
DEFINITION 4
Greenberg's concept of visual art= formalist. Like formalists
of the early 20th century-- British art writers Clive Bell =
ROger Fry-- Greenberg believed that the only significant
feature of art= its compositional structure (not subject
matter, process, or artistic intent).
TERM 5
formalism (Greenberg's variant of
it)
DEFINITION 5
Believed that to be modernist (self-cr itical), art must keep going
further than past art to reveal that a rt's "medium specificity". Each
medium had essential properties. Art should solely address the
nature of its chosen medium to reve al the medium's unique truth.
For painting, that meant revealing th e picture plane's flatness and
using painting's (allegedly) unique tools for advancing and
receding visual space.
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Clement Greenberg

American art critic in 1960 who applied modernism to visual

art (as opposed to decorative art) first. He defined what he

saw as characteristic of the evolution of art from the 1860s

through the 1950s.

TERM 2

Clement Greenberg's philosophy of art

DEFINITION 2

Modernism art is self critical (new art must be criticism of

older art). By being self-critical, art "moves culture forward"

(a universalist notion; art progress should transcend cultural

differences)

TERM 3

modernism

DEFINITION 3

A term applied to visual fine art (as opposed to decorative

art) first by American art critic Clement Greenberg in 1960 to

define what he saw as characteristic of the evolution of art

from the 1860s through the 1950s.

TERM 4

formalism

DEFINITION 4

Greenberg's concept of visual art= formalist. Like formalists

of the early 20th century-- British art writers Clive Bell =

ROger Fry-- Greenberg believed that the only significant

feature of art= its compositional structure (not subject

matter, process, or artistic intent).

TERM 5

formalism (Greenberg's variant of

it)

DEFINITION 5

Believed that to be modernist (self-critical), art must keep going

further than past art to reveal that art's "medium specificity". Each

medium had essential properties. Art should solely address the

nature of its chosen medium to reveal the medium's unique truth.

For painting, that meant revealing the picture plane's flatness and

using painting's (allegedly) unique tools for advancing and

receding visual space.

medium specificity

When you use the history of painting and also use the same

medium.

TERM 7

postmodernism

DEFINITION 7

a term applied to visual fine art first in the late 1970s and by multiple critics. Like modernism, the term can refer to a type of art or art criticism. Embrace multiplicity in mediums and styles as well as expressions of differences in cultural perspectives. Rejects any singular, universalist "master narrative" of artistic evolution (like Greenberg's).idea #1: ideas should determine the choice of medium (not the reverse). De-skiliing.idea #2: meaning in art is partly a product of a work's physical or social CONTEXT; it doesn't reside solely in the work's object hood. (This reflected artist's interests in linguistics and media theory of the time).idea #3: meaning is dependent on variables of IDENTITY-- subject to cultural history and one's experience of gender, race, etc.idea #4: No subject (what is depicted or referred to) or medium (material used) is too ordinary or lowly to be used in art. (does NOT mean that the content (meaning) of the is insignificant) TERM 8

de-skilling

DEFINITION 8

The prioritization of ideas over craftsmanship.

TERM 9

mixed media/multimedia

DEFINITION 9

Works of made or more than one type of material.

TERM 10

process art

DEFINITION 10

art that sets events in motion and emphasizes change over

permanent object states (this includes some Earth Art or

Land Art, which uses the natural landscape as medium).

pluralism (what is it, and when it emerges)

Artists emerging in the 80s in the art world with no dominant

style.

TERM 17

pluralism (implications for art)

DEFINITION 17

Artists emerging in the 80s couldn't reject a dominant style

because there was none. So they responded to the past by

incorporating multiple past styles. they inherited one aspect of art

from the 60s and 70s: the interest in creating meaning through

CONTEXT. They used appropriation which contextualized artifacts

to give them new meaning. Calls attention to the art piece.

TERM 18

Modernism 1940's+50s: Idea

DEFINITION 18

The concerns of artists evolve out of the history of their

chosen medium.

TERM 19

Modernism 1940's+50s: Idea

DEFINITION 19

An artwork's main meaning resides in tis material form

(object hood).

TERM 20

Modernism 1940's+50s: Idea

DEFINITION 20

Meaning in a work of art can be universally grasped the same

way.

Modernism 1940's+50s: Idea

The subjects + materials of art= special (apart from

everyday life)

TERM 22

Postmodernism 1940s/50s: Idea

DEFINITION 22

Ideas should determine the choice of medium (not the

reverse)

TERM 23

Postmodernism 1940s/50s: Idea

DEFINITION 23

meaning in art is partly a product of a work's physical or

social CONTEXT; it doesn't reside solely in the work's object

hood. (This reflected artists' interests in linguistics and media

theory of the time).

TERM 24

Postmodernism 1940s/50s: Idea

DEFINITION 24

Meaning is dependent on variables of IDENTITY-- subject to

cultural history and one's experience of gender, race, etc.

TERM 25

Postmodernism 1940s/50s: Idea

DEFINITION 25

No subject (what is depicted or referred to) or medium

(material used) is too ordinary or lowly to be used in art.