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Spring and All: An Imagist Poem by William Carlos Williams, Study notes of Literary Analysis

An analysis of the poem 'spring and all' by william carlos williams, focusing on its use of imagism and the colors and sensory experiences it evokes. The document also includes suggestions for classroom activities and discussions to help students better understand the poem.

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2021/2022

Uploaded on 09/12/2022

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916 unit 5: the harlem renaissance and modernism
By the road to the contagious hospital1
under the surge of the blue
mottled clouds driven from the
northeast—a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen
patches of standing water
the scattering of tall trees
All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines— d
Lifeless in appearance, sluggish2
dazed spring approaches—
They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind e
Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined—
It quickens:3 clarity, outline of leaf
But now the stark dignity of
entrance—Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken
Spring and All
William Carlos Williams
5
10
15
20
25
dIMAGISM
Identify the colors named
in lines 1–13. What aspect
of spring is emphasized
by these colors?
eIMAGISM
Reread lines 16–19. What
words and phrases
does Williams use to
characterize the newly
growing plants in these
lines? Then identify the
language in lines 20–27
that describes the change
that comes upon them.
1. contagious hospital: place where people with contagious
diseases are hospitalized.
2. sluggish: slow to respond.
3. quickens: comes alive; revives.
L11PE-u05s25-Spring_ThisisJust.indd 916 9/5/06 2:40:29PM
differentiated instruction
summary
This poem describes a scene by a roadside on
a cold, muddy, windy spring day. The poem
describes budding plants entering the world
uncertainly but then taking root firmly.
d imagism
Possible answer: The colors named are blue,
brown, and “reddish purplish.” These colors
emphasize that spring arises from a dead-
ened, dark winter, rather than emphasizing
joy as other poets might.
If students need help . . . Work with them
to complete a Cluster Diagram like this
one, using color words and other words
they associate with spring. Have them
compare and contrast their words with
Williams’s to infer similarities and differ-
ences in feeling.
BEST PRACTICES TOOLKIT—Transparency
Cluster Diagram p. B18
LITERARY ANALYSIS
for less–proficient readers
Concept Support: Make Inferences Have
students work with the prereading chart
introduced on page 913 to make inferences
from the images in this poem.
“Spring and All”
Inferences Details
It’s early
spring.
cold wind, mud
for advanced learners/ap
Analyze Figurative Language Ask students
to explain the subtle personification in lines
16–18. Example: The new roadside plants are
described like newborn babies that “enter the
new world naked, cold, uncertain . . . .” Have
students discuss the effects this figurative
comparison has on reader response, and
ask them to consider why the comparison is
appropriate in a poem written by a doctor.
Invite students to share their analysis and
ideas with the class.
e imagism
Possible answer : In lines 16–19 the phrase
“naked, / cold, uncertain” emphasizes the
newborn plants’ vulnerability. In lines
20–27 words and phrases such as “stiff curl,”
“clarity, outline of leaf,” “stark dignity,”
“rooted,” “grip down,” and “begin to awak-
en” describe the plants’ growing strength
and confidence.
LITERARY ANALYSIS
flowe rs
roses
pink
Spri ng
916 unit 5
L11TE-u05s12-station.indd 916L11TE-u05s12-station.indd 916 1/4/07 1:27:34 PM1/4/07 1:27:34 PM
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916 unit 5: the harlem renaissance and modernism

By the road to the contagious hospital^1 under the surge of the blue mottled clouds driven from the northeast—a cold wind. Beyond, the waste of broad, muddy fields brown with dried weeds, standing and fallen

patches of standing water the scattering of tall trees

All along the road the reddish purplish, forked, upstanding, twiggy stuff of bushes and small trees with dead, brown leaves under them leafless vines— d

Lifeless in appearance, sluggish^2 dazed spring approaches—

They enter the new world naked, cold, uncertain of all save that they enter. All about them the cold, familiar wind— e

Now the grass, tomorrow the stiff curl of wildcarrot leaf

One by one objects are defined— It quickens:^3 clarity, outline of leaf

But now the stark dignity of entrance—Still, the profound change has come upon them: rooted, they grip down and begin to awaken

Spring and All

William Carlos Williams

5

10

15

20

25

d IMAGISM Identify the colors named in lines 1–13. What aspect of spring is emphasized by these colors?

e IMAGISM Reread lines 16–19. What words and phrases does Williams use to characterize the newly growing plants in these lines? Then identify the language in lines 20– that describes the change that comes upon them.

  1. contagious hospital: place where people with contagious diseases are hospitalized.
  2. sluggish: slow to respond.
  3. quickens: comes alive; revives.

L11PE-u05s25-Spring_ThisisJust.indd 916 9/5/06 2:40:29 PM

differentiated instruction

summary

This poem describes a scene by a roadside on a cold, muddy, windy spring day. The poem describes budding plants entering the world uncertainly but then taking root firmly.

d imagism

Possible answer: The colors named are blue, brown, and “reddish purplish.” These colors emphasize that spring arises from a dead- ened, dark winter, rather than emphasizing joy as other poets might. If students need help... Work with them to complete a Cluster Diagram like this one, using color words and other words they associate with spring. Have them compare and contrast their words with Williams’s to infer similarities and differ- ences in feeling.

BEST PRACTICES TOOLKIT—Transparency Cluster Diagram p. B

L I T E R A R Y A N A L Y S I S

for less–proficient readers Concept Support: Make Inferences Have students work with the prereading chart introduced on page 913 to make inferences from the images in this poem.

“Spring and All” Inferences Details It’s early spring.

cold wind, mud

for advanced learners/ap Analyze Figurative Language Ask students to explain the subtle personification in lines 16–18. Example: The new roadside plants are described like newborn babies that “enter the new world naked, cold, uncertain... .” Have students discuss the effects this figurative comparison has on reader response, and ask them to consider why the comparison is appropriate in a poem written by a doctor. Invite students to share their analysis and ideas with the class.

e imagism

Possible answer: In lines 16–19 the phrase “naked, / cold, uncertain” emphasizes the newborn plants’ vulnerability. In lines 20–27 words and phrases such as “stiff curl,” “clarity, outline of leaf,” “stark dignity,” “rooted,” “grip down,” and “begin to awak- en” describe the plants’ growing strength and confidence.

L I T E R A R Y A N A L Y S I S

flowers

roses

pink

Spring

916 unit 5

L11TE-u05s12-station.inddL11TE-u05s12-station.indd 916916 1/4/071/4/07 1:27:34 PM1:27:34 PM

spring and all / this is just to say 917

I have eaten the plums that were in the icebox

and which you were probably saving for breakfast

Forgive me they were delicious so sweet and so cold f

This Is Just to Say

William Carlos Williams

5

10

f IMAGISM Williams has chosen to invoke only two senses in this poem. What are they? Explain how this choice affects your perception of those sensory details.

L11PE-u05s25-Spring_ThisisJust.indd 917 9/5/06 2:40:31 PM

Lines 9–

reinforce key idea: image

Discuss What feeling does an image of tasting and touching a plum create? What new sense is added to the image when readers visualize it? Students may associate the image with feelings of joy, pleasure, or abandon. The sense of sight is added to the image through visualization.

selection wrap–up

SYNTHESIZE Ask students which of the four poems contains the strongest images. Have them explain their reasoning.

CRITIQUE

- Ask students whether imagist poems lose anything because of their strict focus on images, and if so, what. - After completing the After Reading ques- tions on page 918, have students revisit their responses and tell whether they have changed their opinions.

f imagism

Possible answer: The two senses invoked in the poem are taste and touch. This choice concentrates and focuses the reader’s atten- tion on the sensory experience of eating the plums.

L I T E R A R Y A N A L Y S I S

summary

The speaker apologizes to an unidentified “you” for eating plums that “you” was saving in the icebox for breakfast, but acknowledges that the plums were delicious.

for less–proficient readers Concept Support: Make Inferences To help students find meaning underlying the images in the poems, use the Showing, Not Telling, with Literature strategy. BEST PRACTICES TOOLKIT Showing, Not Telling, with Literature p. D

for advanced learners/ap Analyze Style Although William Carlos Williams’s style of spare, imagistic free verse seemed innovative in its time, it may be hard for students to appreciate its experimental- ism since so much similar verse has been written since. Ask students to read other poetry in Unit 5, such as by Robert Frost or Carl Sandburg, and explain to the class how Williams’s poem would seem daring or experimental in comparison.

spring and all / this is just to say 917

L11TE-u05s12-station.inddL11TE-u05s12-station.indd 917917 1/17/071/17/07 1:21:32 PM1:21:32 PM