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Information about a university course titled 'cultural perspectives 101'. The course is a two-semester sequence that explores the western intellectual tradition within a global context through interdisciplinary study. Students will increase their awareness of cultural, literary, philosophical, and religious influences on civilization. The texts to be purchased, course objectives, absences and make-up policies, academic dishonesty policy, evaluation methods, and a schedule of classes.
Typology: Papers
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John Mayfield 104 DBH Ext. Email: jrmayfie@samford.edu Office hours: Before and after class, by appointment, etc.
Texts to be purchased :
Rosemary Fisk and John Mayfield, eds., Cultural Perspectives: A Sourcebook Vol. St. Augustine, Confessions Vergil, The Aeneid (transl. by Allen Mandlebaum) Sophocles, Antigone Niccolo Machiavelli, The Prince William Shakespeare, King Lear Miguel Leon-Portillas, ed., The Broken Spears
Course Objectives : Cultural Perspectives is a two-semester sequence that views the Western intellectual tradition within a global context. Through interdisciplinary study, students will increase their awareness of cultural, literary, philosophical, and religious influences upon the development of civilization.
Absences, Make-ups, and Other Policies: I will overlook three unexcused absences. This is the limit.
Academic Dishonesty : All papers should be original and written specifically for this class. Students may not plagiarize. Plagiarism is the act of taking the words or ideas of another person and passing them off as your own. Close paraphrasing by changing a word or two or the tense of the verbs is plagiarism when you do not acknowledge the source. Ergo, cite any quotes or paraphrases properly. It is okay to discuss your paper ideas, seek advice, get a proofreading from a friend, etc. But use common sense. Don’t filch things off the web , and don’t let other people do the work for you.
Evaluation:
There are several types of evaluation in this course, including:
(1) Two synoptic papers answering questions about the materials discussed in class. These papers will be 4 pages long and will be written in a formal style. These papers are worth 30% of your grade each; total, 60%. Each paper may be rewritten (this is not required), in which case I will average the grades on the original paper and the rewrite. Probable due dates: First synoptic paper: September 22 Second paper: Oct. Papers are due at the beginning of class. Late papers are penalized one full letter grade per day up to two days. Written work turned after the second day fails.
(2) Class participation and miscellaneous written assignments. For each reading, you are to bring to class about three questions, which we can use as the basis for discussions. These questions will be collected, but not returned. There may be additional short writing assignments. I also value class participation. Participation includes attendance, speaking in discussions, responding to presentations, and general interest in the course. Total: 10%
(3) Optional Film Review : You may do a critical film review of The Mission , under guidelines I will discuss at the appropriate time. Length, 3-4 pages. This will be factored into your total grade, not to exceed 10%. Due, December 8.
(4) Final examination , worth 30% of the final grade. The final will be all essay.
Note: The final for this class is scheduled for Wednesday, Dec. 13 at 10:30. This is the only time the final will be given. Remember that when planning your Christmas travel.
Grading Scale: This course follows the letter grading system explained in detail on p.27 of the current university catalog. All grades are letter grades.
IV: New Perspectives
In which we study how new knowledge and expectations begin to wear away old assumptions.
10/18: Video: “In Light of the Above”, by James Burke (from The Day the Universe Changed) 10/20: St. Thomas Aquinas, Summa Theologica * 10/23: Pope Innocenti 3, On the Misery of the Human Condition * Pico della Mirandola, Oration on the Dignity of Man *
V: Still Other Perspectives
In which women finally get a word in edgewise, and someone begins to take “love” seriously.
10/30: The Lais of Marie de France ***** Andreas Capellanus: The Art of Courtly Love * Jakob Sprenger and Heinrich Kramer, The Hammer of Witches * 11/3: Video: “Point of View”, by James Burke (from The Day the Universe Changed )
VI: Political Animals
In which we wrestle with power.
11/6: Niccolo Machiavelli, The Prince 11/13: Film: King Lear 11/16: William Shakespeare, King Lear
THANKSGIVING BREAK: November 22-
VII: Looking Outward
In which we confront the possibility that cultural perspectives are often subject to radical change from the most unexpected directions, often with surprising results.
11/27: Michel de Montaigne, On Cannibals * 11/29: Miguel Leon-Portillas, ed., The Broken Spears 12/4: (at 3:30 in Brock Forum): Film: The Mission (R) 12/6: Juan Genes de Sepulveda, Democrates Secundus, or the Treatise on the Just Causes of War Against the Indians * Bartolome de Las Casas, In Defense of the Indians*