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SDSU TFM-160 Final Review Exam with Questions and Answers, Exams of Media & Society

SDSU TFM-160 Final Review Exam with Questions and Answers what is the difference between surprise and suspense? ANSWER✓✓-surprise: being taken unaware (audience and characters unaware) -suspense: more drawn out experience of anxiety brought on by partial uncertainty what are the two types of suspense, as explored in class? ANSWER✓✓space and time Mise-en-Scene ANSWER✓✓Also known as staging. The overall look and feel of a movie - the sum of everything the audience sees, hears, and experiences while viewing it. composition ANSWER✓✓the organization, distribution, balance, and general relationship of stationary objects and figures - as well as of light, shade, line, and color - within the frame framing ANSWER✓✓the process by which the cinematographer determines what will appear within the borders of the moving image (the frame) during a shot. kinesis ANSWER✓✓the aspect of composition that takes into account everything that moves on the screen

Typology: Exams

2024/2025

Available from 03/07/2025

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what is the difference between surprise and suspense? ANSWERV V -surprise: being taken unaware (audience and characters unaware) -suspense: more drawn out experience of anxiety brought on by partial uncertainty what are the two types of suspense, as explored in class? ANS WERV ¥ space and time Mise-en-Scene ANS WERV ¥ Also known as staging. The overall look and feel of a movie - the sum of everything the audience sees, hears, and experiences while viewing it. composition ANSWERY v the organization, distribution, balance, and general relationship of stationary objects and figures - as well as of light, shade, line, and color - within the frame framing ANS WERY Vv the process by which the cinematographer determines what will appear within the borders of the moving image (the frame) during a shot. kinesis ANSWERV ¥ the aspect of composition that takes into account everything that moves on the screen rule of thirds ANS WER¥V Va principle of composition that enables filmmakers to maximize the potential of the image, balance its elements, and create the illusion of depth. A grid pattern, when superimposed on the image, divides the image into horizontal thirds representing the foreground, middle ground, and background planes, and into vertical thirds that break up those planes into additional elements.