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Music Theory: Terms and Definitions - Key Signatures, Scales, and Chords, Quizzes of Music Theory and Analysis

Definitions for various terms related to music theory, including key signatures, scales, and chords. Topics covered include triad inversions, seventh chords, major and minor keys, and voice leading rules.

Typology: Quizzes

2011/2012

Uploaded on 10/31/2012

alexandra-knoblock
alexandra-knoblock 🇺🇸

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TERM 1
Triad First Inversion
BPS
DEFINITION 1
6
TERM 2
Triad Second Inversion
BPS
DEFINITION 2
64
TERM 3
Seventh Root Position BPS
DEFINITION 3
7
TERM 4
Seventh First Inversion
BPS
DEFINITION 4
65
TERM 5
Seventh Second Inversion
BPS
DEFINITION 5
43
pf3
pf4
pf5
pf8
pf9
pfa
pfd
pfe

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Triad First Inversion

BPS

TERM 2

Triad Second Inversion

BPS

DEFINITION 2

TERM 3

Seventh Root Position BPS

DEFINITION 3

TERM 4

Seventh First Inversion

BPS

DEFINITION 4

TERM 5

Seventh Second Inversion

BPS

DEFINITION 5

Seventh Third Inversion

BPS

TERM 7

German Solemn

DEFINITION 7

Schwer

TERM 8

Italian Solemn

DEFINITION 8

Grave

TERM 9

French Solemn

DEFINITION 9

Lourd

TERM 10

Italian Broad

DEFINITION 10

Largo

Italian Moderately slow

Andante

TERM 17

German Moderately

Slow

DEFINITION 17

Gehend

TERM 18

French Moderately

Slow

DEFINITION 18

Allant

TERM 19

Italian Moderate

DEFINITION 19

Moderato

TERM 20

German Moderate

DEFINITION 20

Massig

French Moderate

Modere

TERM 22

Italian Moderately Fast

DEFINITION 22

Allegretto

TERM 23

German Moderately Fast

DEFINITION 23

Etwas bewegt

TERM 24

French Moderately Fast

DEFINITION 24

Un peu anime

TERM 25

Italian Fast

DEFINITION 25

Allegro

Italian Very Fast

Presto

TERM 32

German Very Fast

DEFINITION 32

Eilig

TERM 33

French Very Fast

DEFINITION 33

Vite

TERM 34

a minor key

DEFINITION 34

0 sharps/flatsCMajor relative

TERM 35

eminor

DEFINITION 35

1 sharp = F#GMajor relative

b minor

2 sharps = F, C#D Major relative

TERM 37

f# minor

DEFINITION 37

3sharps = F,C,G#A Major relative

TERM 38

c# minor

DEFINITION 38

4 sharps = FCGD#E Major relative

TERM 39

g# minor

DEFINITION 39

5 sharps = FCGDAB Major relative

TERM 40

d# minor

DEFINITION 40

6 sharps = FCGDAEF# Major relative

bb minor

5 flats = BEADGDb relative

TERM 47

eb minor

DEFINITION 47

6 flats= BEADGCGb relative

TERM 48

ab minor

DEFINITION 48

7 flats = BEADGCFCb Major relative

TERM 49

Harmonic minor

DEFINITION 49

Raises 7th scale degree

TERM 50

Melodic minor

DEFINITION 50

Raises 6th and 7th scale degree (ascending only)

tonic

first scale degree

TERM 52

supertonic

DEFINITION 52

second scale degree

TERM 53

mediant

DEFINITION 53

third scale degree

TERM 54

subdominant

DEFINITION 54

4th scale degree

TERM 55

dominant

DEFINITION 55

5th scale degree

half-diminished 7th

lower 7th, 3rd, 5th scale degrees

TERM 62

diminished 7th

DEFINITION 62

lower 3rd and 5th scale degrees once and the 7th twice

TERM 63

Major Scale Roman Numerals

DEFINITION 63

Major 7th: I, IV, VMinor 7th: ii, iii, viMajor Minor 7th: VHalf-

Diminished 7th: vii

TERM 64

Minor Scale Roman Numerals

DEFINITION 64

Major 7ths: III, VIMinor 7ths: i, ivMajor-minor 7ths: VHalf-

Diminished 7ths: iiDiminished 7ths: vii

TERM 65

Voice Leading Melody Line Rules

Rhythm

DEFINITION 65

Simple

Equal Durations

Last note on the strong beat

Voice Leading Melody Line Rules

Harmony

Every melody note note should belong to the chrod that is to

harmonize it

TERM 67

Voice Leading Melody Line Rules

Contour

DEFINITION 67

Melody should be stepwise motion

Shape should be interesting

TERM 68

Voice Leading Melody Line Rules

Leaps

DEFINITION 68

Avoid augmented intervals, 7ths and intervals larger than

p

Interval larger than p4 best approached and left in the

direction opposite to the leap

Smaller, consecutive leaps should outline a triad

TERM 69

Voice Leading Melody Line Rules Tendency

Tones

DEFINITION 69

7 has a strong tendency to move up to 1

4 often moves down to 3