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Literary theory notes from the video, Exams of Philosophy

This is a test Literary Literary theory notes from the video

Typology: Exams

2017/2018

Uploaded on 04/12/2018

kelsey-mo
kelsey-mo 🇨🇦

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U1L6 Reader Response Criticism
Background
Seeks to explain the diversity (and
often divergence) of readers’ response
to literary works
Regards fiction as what the reader
experiences under the guidance of the
text and their own experiences
Argues that texts contain gaps that
affect the reader, who must fill in the
gaps by explaining them, creating in his
or her mind aspects of a work that
aren’t in the text but are incited by the
text
Distinguishes between the implied
reader, one who is expected to respond
in specific way to “response inviting
structures” of the text, and the actual
reader, whose responses inevitable
coloured by his or her own experiences
No longer is the reader the passive
recipient of those ideas that an author
has planted in a text. The reader is
active
, reading is something you do -
the reader is an active maker of
meaning
Background and Application
Argues that a reader who has acquired
“literary competence” makes sense of
what s/he is reading anticipating what
is still to come. These anticipations may
be fulfilled, but are often mistaken.
These mistakes are an integral part of
the meaning of the text
Analysis shows a coherence in the kind
of mistakes and meaning experiences
affected in the reader by various texts
Interpretative communities
composed of members who share
a particular reading strategy or
set of community assumptions
they bring to reading
More modern approach involves
“situating” a particular reading
of a text in its historical setting to
show the extent to which
interpretation and evaluation of
literature is determined by a
reader’s ideology and biases
Some reader-response critics
view the reader’s response not as
one “guided” by the text but
rather as one motivated by
deep-seated, personal
psychological needs and suggest
that, when we read, we find our
own theme in the text by using
the literary work to symbolize
and finally replicate our own
characteristic patterns of desire
The Power of the Text
Since readers come to a work with
literary competence, they are
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U1L6 Reader Response Criticism

Background ● Seeks to explain the diversity (and often divergence) of readers’ response to literary works ● Regards fiction as what the reader experiences under the guidance of the text and their own experiences ● Argues that texts contain gaps that affect the reader, who must fill in the gaps by explaining them, creating in his or her mind aspects of a work that aren’t in the text but are incited by the text ● Distinguishes between the implied reader, one who is expected to respond in specific way to “response inviting structures” of the text, and the actual reader, whose responses inevitable coloured by his or her own experiences ● No longer is the reader the passive recipient of those ideas that an author has planted in a text. The reader is active, reading is something you do - the reader is an active maker of meaning Background and Application ● Argues that a reader who has acquired “literary competence” makes sense of what s/he is reading anticipating what is still to come. These anticipations may

be fulfilled, but are often mistaken. These mistakes are an integral part of the meaning of the text ● Analysis shows a coherence in the kind of mistakes and meaning experiences affected in the reader by various texts ○ Interpretative communities composed of members who share a particular reading strategy or set of community assumptions they bring to reading ○ More modern approach involves “situating” a particular reading of a text in its historical setting to show the extent to which interpretation and evaluation of literature is determined by a reader’s ideology and biases ○ Some reader-response critics view the reader’s response not as one “guided” by the text but rather as one motivated by deep-seated, personal psychological needs and suggest that, when we read, we find our own theme in the text by using the literary work to symbolize and finally replicate our own characteristic patterns of desire

The Power of the Text ● Since readers come to a work with literary competence, they are

accustomed to recognizing and reacting to signals in the text ● Informed readers know the accepted conventions that underlie a text - works are therefore not subject ot infinite interpretations ● Transactional Approach: text controls the reader / reader controls the text

The Reader as Producer of the Text ● Reader also source of interpretation - thoughts, experiences, beliefs, circumstances, values, prior reading / intertextual connections, etc. assist in creating meaning ● Process begins with individual but is shaped communally through question, challenge, and amendment in a group setting (interpretive communities)

A Different Approach - Period Response (Reception Theory) ● Reception theory recognizes that readers in different historical periods will judge the text in different ways - literary fashions and interests change, values change, etc ● Receptionist theorists look at the horizon of expectations or the reading public - what they valued and looked for in a text

● How would they go about this? What would they likely find? (consider texts like Huckleberry Finn) ● Does not make a final judgement of the text - engages reader in dialogue helping them to view the text in contrasting historical and cultural perspective