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Language Devices and Their Effects: Facts, Opinions, and Statistics in Writing, Exercises of Voice

Various language devices used by writers to emphasize their points and engage readers. It covers facts, opinions, and statistics as evidence, as well as text design devices like formal voice, first person perspective, and direct address. The document also discusses rhetorical questions, repetition, and punctuation as effective writing techniques.

Typology: Exercises

2021/2022

Uploaded on 09/27/2022

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LanguageDevicesandtheirEffects
DeviceDescriptionEffect(s) Model response
Writer’suseofevidenceandsupport
Facts
Afactisapieceofinformation
thatcanbedemonstratedor
proventobetrue.
‐Factsareusedtodemonstrateoremphasise
awriter'spointbyprovidingevidenceto
supportclaims
‐Forexample:
'Aswellasnicotine,eachcigarettecontains
morethan4,000differentchemicals,manyof
whichareharmfultothebody'.
Thefactsusedinthisarticleprovidemedical
evidencethatcigarettesaredangerous.The
referenceto’4,000differentchemicals’isa
factthatisdesignedtoshockthereader;this
makesthetextmorepowerful.
Opinions
Anopinionisanindividual's
ownthoughtsorbeliefs
‐Likefacts,opinionsemphasisethepointofa
writerbutmakethemessagemorepersonal
ratherthancompletelyfactual
‐Forexample:
'Smokingisanawfulhabitandanyonewho
smokesstinks'.
Byexpressingthestrongopinionthatsmoking
isan‘awfulhabit’andthat‘anyonewho
smokesstinks,’thewritermakesthemessage
morepersonal,emphasisesthenegative
pointsofsmoking,andmakesthereaderfeel
almostobligedtohavearesponse.
Statistics
Astatisticisnumericaldata
‐Numericaldatacanbeusedlikefactsto
emphasiseanddemonstratethepointofthe
writer
‐Forexample:
'9outof10peoplevotedagainsttheproposal
Thestatistic‘9outof10people’emphasises
thesignificantnumbersopposingthe
developmentandlendsweighttothe
argumentthatthebuildingprogrammeshould
notgoahead.
anecdotesAministoryfrompersonal
experienceaboutapersonor
incident
‐Enhancestheargument.Itmakesthetext
morepersonalandconnectstothereader’s
experiences
Forexample:
‘JustyesterdayIwaswalkinghomefrom
schoolwhen…’
Whenthewriterdescribesherexperience
withananecdote‘JustyesterdayI…’she
givesthetextaverypersonaledgeandmany
ofuscanconnectherewithsimilar
experiencesofourownwhichadds
immediacytohertext.
pf3
pf4
pf5
pf8
pf9
pfa

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Language^ Devices

and^ their^ Effects

Device^ Description

Effect(s)

Model response

Writer’s^ use^ of^

evidence^ and^ support

Facts^ A^ fact

is^ a^ piece^ of^ information that can^ be^ demonstrated

or proven^ to^ be^ true.

‐^ Facts^ are^ used^ to^ demonstrate

or^ emphasise a^ writer's^ point^ by^ providing

evidence^ to support^ claims ‐^ For^ example: 'As^ well^ as^ nicotine,

each^ cigarette^ contains more^ than^ 4,000^ different

chemicals,^ many^ of which^ are^ harmful^ to

the^ body'.

The^ facts^ used^ in^ this

article^ provide^ medical evidence^ that^ cigarettes

are^ dangerous.^ The reference^ to’4,000^ different

chemicals’^ is^ a fact^ that^ is^ designed

to^ shock^ the^ reader;

this makes^ the^ text^ more

powerful.

Opinions^ An

opinion^ is^ an^ individual's own^ thoughts^ or^ beliefs

‐^ Like^ facts,^ opinions

emphasise^ the^ point

of^ a writer^ but^ make^ the

message^ more^ personal rather^ than^ completely

factual ‐^ For^ example: 'Smoking^ is^ an^ awful

habit^ and^ anyone^ who smokes^ stinks'.

By^ expressing^ the^ strong

opinion^ that^ smoking is^ an^ ‘awful^ habit’^ and

that^ ‘anyone^ who smokes^ stinks,’^ the^

writer^ makes^ the^ message more^ personal,^ emphasises

the^ negative points^ of^ smoking,^ and

makes^ the^ reader^ feel almost^ obliged^ to^ have

a^ response.

Statistics^ A^ statistic

is^ numerical^ data^

‐^ Numerical^ data^ can

be^ used^ like^ facts^ to emphasise^ and^ demonstrate

the^ point^ of^ the writer ‐^ For^ example: '9^ out^ of^10 people^

voted^ against^ the^ proposal

The^ statistic^ ‘9^ out^ of

10 people’^ emphasises the^ significant^ numbers

opposing^ the development^ and^ lends

weight^ to^ the argument^ that^ the^ building

programme^ should not^ go^ ahead.

anecdotes^ A^ mini

‐story^ from^ personal experience^ about^ a^ person

or incident

‐^ Enhances^ the^ argument.

It^ makes^ the^ text more^ personal^ and^

connects^ to^ the^ reader’s experiences ‐For^ example:^ ‘Just^ yesterday^ I^ was

walking^ home^ from school^ when^ …’

When^ the^ writer^ describes

her^ experience with^ an^ anecdote^ ‘Just

yesterday^ I^ …’^ she gives^ the^ text^ a^ very

personal^ edge^ and^

many of^ us^ can^ connect^ here

with^ similar experiences^ of^ our^ own

which^ adds immediacy^ to^ her^ text.

Quotations^ Evidence

from^ source^ –^ and^ in non‐fiction^ writing^ often^ an expert source

‐It^ can^ create^ added

authority^ to^ make^ the text^ more^ convincing. Adds^ credibility^ to^ an

argument. ‐For^ example: ‘Animal^ research^ expert

Martin^ Davis^ said’^ All the^ evidence^ from^ our

studies^ point^ to^ the fact^ that^ elephants^

could^ be^ extinct^ in^20 years^ if^ nothing^ is^ done

to^ prevent^ tusk‐ hunting.’

The^ study^ stating^ that

‘elephants^ could^ be extinct^ in^20 years’^

is^ convincing^ because

we know^ it^ is^ given^ by^ an

‘animal^ research^ expert’ and^ this^ helps^ the^ article

persuade^ us^ that something^ needs^ to

be^ done^ since^ the evidence^ is^ being^ provided

by^ an^ expert^ in^ the field.

Writer’s^ text^ design

‐^ devices^ across

a^ text

Formal^ voice^ We

use^ formal^ language

in situations^ that^ are^ serious

or that^ involve^ people

we^ don’t know^ well. Formal^ language^ is^ more common^ when^ we^ write; There^ are^ also^ examples where^ spoken^ English

can^ be very^ formal,^ for^ example,

in^ a speech^ or^ a^ lecture.

‐This^ makes^ a^ text^ seem

more^ authoritative, with^ more^ power^ of

persuasion ‐For^ example:^ ‘After^ reading^ an^ article

about^ the^ frightening increase^ in^ truancy^

rates^ in^ Britain,^ I^ feel compelled^ to^ offer^ my

views^ on^ the^ subject.

I

was^ shocked^ and^ surprised

at^ the^ astoundingly high^ numbers^ of^ students

who^ truant^ every day.’

The^ use^ of^ formal^ voice

in^ this^ letter^ gives^ it

an authoritative^ tone.^

The^ word^ ’compelled’ makes^ the^ reader^ aware

of^ the^ seriousness^ of the^ writer’s^ intention.

The^ phrase ‘astoundingly^ high’^

is^ a^ formal^ expression which^ maintains^ the

serious^ tone.

Informal^ voice^ Informal

language^ is^ more commonly^ used^ in^ situations that are more^ relaxed^ and involve people^ we^ know^ well. Although^ more^ common when we^ speak,^ there^ are times where^ writing^ can^ be very informal^ eg,^ letters^ to friends, emails^ or^ texts.

‐This^ Involves^ the^ reader

at^ a^ more^ personal level. ‐It^ engages^ and^ makes

the^ text^ more accessible. ‐For^ example: The^ problem^ with^ being

a^ parent^ is^ kids!^ I know^ I^ am^ sounding

like^ something^ out^

a^ TV sitcom,^ but^ that’s^ the

way^ I^ see^ it.^ Now^ don’t get^ me^ wrong,^ I^ love

my^ kids,^ but^ come^

on^ – I’ve^ got^ a^ life,^ they’ve

got^ a^ life,^ we^ all^ have.

So let’s^ try^ to^ meet^ half

way.

The^ use^ of^ informal

voice^ helps^ engage

the reader^ as^ it^ seems^ more

familiar^ and^ relaxed, and^ it^ helps^ to^ form

a^ clear^ picture^ of^ the writer^ and^ his^ attitudes.

It^ makes^ for^ lively, entertaining^ reading.

In^ fact^ you^ could^ almost imagine^ him^ sitting^

in^ front^ of^ you^ saying these^ words.^ It^ certainly

stimulates^ a^ response from^ the^ reader.

Direct^ address^ Direct (^ Second person perspective^ )

address^ is^ when^ the text addresses^ the^ reader

in^ a way^ that^ makes^ it^ sound personal^ achieved^ through use^ of^ second^ person narration^ 'You'.

‐^ Directly^ addressing

the^ reader^ involves

them

in^ the^ text^ and^ makes

them^ think^ harder about^ what^ the^ text

is^ 'saying'. ‐It^ can^ create^ a^ friendly

tone^ and^ involve^ the reader^ making^ it^ feel

as^ though^ the^ text^

is addressed^ directly^ at

the^ reader^ involving them^ personally.^ It^ can

feel^ friendly,^ inviting even^ confiding.^ It^ can

also^ feel^ forceful^ and persuasive. ‐For^ example: ‘It’s^ a^ feeling^ that^ stays

with^ you^ forever.^ That wonderful^ moment

when^ you^ sit^ behind

the wheel^ and^ notice^ that

for^ the^ first^ time^ that the^ passenger^ seat^ isn’t

occupied^ by^ an instructor^ or^ examiner.’

The^ writer^ is^ sharing

a^ feeling^ that^ is^ not

just

personal^ but^ something

many^ adults^ will^ have experienced^ –^ that^

thrill^ of^ passing^ your driving^ test^ and^ the

freedom^ it^ gives^ you.

An adult^ reader^ will^ feel

more^ involved^ because they^ share^ the^ same

emotional^ response.

Tone^ Tone

is^ the^ author’s^ attitude to the^ topic. Objective^ tone^ is^ impartial

-^ it does^ not^ show^ any^

feelings^ for or^ against. Subjective^ tone^ is^ personal, biased,^ emotional^ and

often informal. Tone^ is^ expressed^ through

the words^ and^ details^ the

author selects.

Tone^ affects^ the^ way

we^ read^ and^ understand and^ respond^ to^ a^ text. ‐For^ example: Marla^ leapt^ down^ the

stairs,^ two^ at^ a^ time, flew^ into^ the^ living^ room,

threw^ open^ the window,^ and^ basked

in^ the^ glory^ of^ the^ freshly fallen^ snow. Then^ Marla^ plodded

downstairs^ to^ the^ living room,^ where^ she^ reluctantly

opened^ the window^ to^ find^ that

the^ sticky,^ freezing^

white stuff^ was^ falling^ from

the^ sky^ for^ the^ first

time that^ year.^ Ugh.

The^ first^ extract^ has

an^ enthusiastic^ tone. Marla’s^ excitement

is^ conveyed^ through

the use^ of^ the^ words^ ’flew’

‘threw’^ showing^ the speed^ with^ which^ she

moved.^ By^ stating^

that she^ ‘basked’^ in^ the^ ‘glory’

we^ are^ shown Marla’s^ delight^ in^ the

experience^ of^ the^ freshly fallen^ snow. The^ second^ extract^

has^ a^ gloomy^ tone.^

The word^ ‘^ plodded’^ reflects

her^ mood^ and^ lack

of enthusiasm^ is^ shown

through^ the^ use^ of ‘reluctantly.’^ By^ describing

the^ snow^ as ‘freezing^ white^ stuff’

she^ is^ avoiding^ making any^ emotional^ or^ connection

with^ it.^ The^ final word^ ‘Ugh.’^ Confirms

her^ negative^ response.

Writer’s^ text^ design

‐^ devices^ within

a^ text

A^ question Rhetorical questions that^ does^ not require an answer

‐^ Rhetorical^ questions

are^ used^ to^ engage

and involve^ the^ reader^ by

making^ them^ think. These^ are^ typically^ used

to^ make^ a^ text^ more persuasive. ‐^ For^ example: 'How^ many^ roads^ must

a^ man^ walk^ down before^ you^ call^ him^

a^ man?'^ (Bob^ Dylan)

The^ use^ of^ the^ rhetorical

question^ in^ the^ first line^ of^ this^ song^ engages

the^ reader^ from^ the start^ and^ makes^ them

think^ about^ the metaphor.^ The^ rest^

of^ the^ song^ regularly

uses rhetorical^ questions

and^ so^ increases^ the persuasiveness^ of^ the

text.^ Rhetorical questions^ make^ demands

of^ the^ listener;^ their response^ is^ required,

even^ subconsciously, and^ they^ are^ no^ longer

a^ passive^ listener.

List^ of^ three^ Three

words^ or^ reasons^ put together^ in^ a^ list

‐^ This^ technique^ helps

emphasise^ the^ point

of the^ text^ and^ helps^

cement^ the^ words^

in^ the mind^ of^ the^ reader. ‐^ For^ example: To^ get^ to^ the^ top^ of

their^ sport,^ footballers need^ to^ be^ talented,

skilful^ and^ focused.

Presenting^ three^ key

core^ skills^ ‘talented, skilful^ and^ focused’^

as^ a^ list^ is^ effective^

as^ it helps^ fix^ the^ words^

in^ the^ reader’s^ mind.

List of^ three^ is^ a^ powerful

tool^ for^ making^ words memorable;^ the^ human

brain^ likes^ patterns and^ structure,^ and^ rhythm.

By^ using^ groups^ of three,^ the^ brain^ recognises

the^ pattern^ and stores^ it^ more^ easily

in^ the^ memory.

Assertive^ Writing language

which^ presents information^ in^ a^ powerfully worded^ way It often uses^ imperatives eg must^ /^ have^ to

‐It^ gives^ the^ text^ an^

authoritative^ edge^ –makes it^ sound^ indisputable ‐For^ example: ‘Everybody^ knows^ that

‘It^ is^ undeniable^ that

….^ ‘

‘Everybody^ knows^ that…’

is^ a^ powerful opening^ phrase^ to^ the

sentence.^ The^ writer

is writing^ with^ a^ sense

of^ authority^ and^ it^ leads the^ reader^ to^ accept

his^ word^ on^ this^ subject without^ question.

Indirect^ A^ technique involvement

which^ requests the reader to^ be^ involved^ the in a particular^ through^ a^ key word

This^ technique^ engages

the^ audience ‐For^ example: ‘Imagine^ …’ ‘Think^ of^ …’ ‘Picture,^ if^ you^ will^ ….

‘Imagine’^ is^ a^ powerful

opening^ word^ as^ it^

asks the^ reader^ to^ use^ their

imagination^ to^ picture the^ scenario^ that^ follows.

This^ is^ effective^ in making^ the^ reader^ feel

more^ a^ part^ of^ the^

text. It^ is^ a^ direct^ appeal^

to^ ethos,^ and^ is^ extremely effective^ at^ the^ start

or^ end^ of^ a^ speech,

in particular.

Be^ aware^ of^ the^ different

uses and^ the^ reasons^ for

the^ uses. Long^ sentences^ or^ short sentences^ are^ chosen

for^ a purpose^ by^ a^ writer

as^ part^ of the^ crafting^ process. Long^ sentences^ can

be effective^ when^ trying

to^ build a^ picture^ or^ idea^ in^

a^ reader’s mind. Short^ sentences^ make information^ snappy

and^ quick, which^ can^ make^ certain

points 'stand^ out'^ more^ or^

give variation^ within^ the

text^ to keep^ the^ reader^ interested Short^ sentences^ are

also effective^ in^ building

tension and^ to^ make^ a^ dramatic

point. Ellipsis^ can^ demonstrate

a more^ relaxed^ register

and^ an informal^ way^ of^ writing making^ the^ text^ more personal. Contractions^ are^ examples

of ellipsis,('I'm^ hungry'

is^ less formal^ than^ 'I^ am^ hungry'.)

over^ canals^ and^ railways,

past^ churches perched^ high^ and^ nobly

over^ the^ smoke^ and shadows,^ through^ stark,

grimy^ cold^ little market^ places,^ tilting

away^ in^ a^ rush^ past cinemas^ And^ shops^

down^ to^ the^ hollow

where the^ collieries^ are,^ then

up^ again^ past^ s^ little rural^ church,^ under^

the^ ash^ trees,^ on^ in^

a^ rush to^ the^ terminus,^ the

last^ little^ ugly^ place

of industry,^ the^ cold^ little

town^ that^ shivers^ on the^ edge^ of^ the^ wild,

gloomy^ country^ beyond. Example^2 –^ Short^ sentences A^ decision^ was^ needed.

I^ pointed^ at^ my^ watch. ‘Ten^ minutes’^ I^ said.

Pertemba^ agreed.^ That helped^ us^ –^ it^ shifted

some^ responsibility

to the^ watch.^ I^ fumbled

in^ my^ sack^ and^ pulled

out our^ stove^ to^ leave^ behind.

The^ time^ was^ up. We^ had^ to^ continue

the^ climb. Example^3 –^ Ellipsis^

(When^ elements^ have been^ omitted^ from^

a^ sentence,^ phrase^

or word^ (they're^ 'missing'). ‘Forget^ the^ X^ Factor

.^.^.^ Mongolia’s^ got^

talons’ (Headline^ for^ an^ article

about^ the^ annual Eagle^ Festival^ in^ Mongolia

speed^ and^ distance

of^ the^ journey emphasised^ by^ words

such^ as^ ‘plunges’^ and ‘rush’^ The^ upward^ and

downward^ movement makes^ it^ feels^ like^ a

rollercoaster^ ride. ‘A^ decision^ was^ needed.’

Is^ presented^ as^ a short^ sentence^ to^ convey

its^ meaning^ –^ that there^ is^ no^ time^ for^

discussion,^ only^ action. The^ subsequent^ short

sentences^ help^ embed the^ idea^ that^ they^ have

to^ act^ quickly.^ They are^ experiencing^ minus

centigrade temperatures^ so^ they

do^ not^ want^ to^ linger

in the^ cold^ discussing^

the^ matter.^ They^ need

to move^ on^ and^ this^ is

effective^ conveyed through^ the^ use^ of^ short

sentences. The^ ellipsis^ is^ effective

because^ it^ gives^ a pause^ for^ effect^ allowing

the^ reader^ to connect^ the^ X^ Factor

and^ ‘talons/talent’^

.^ The pun^ for^ ‘got^ talons’^

(^ Got^ Talent’^ )^ works

better with^ ellipsis^ because

it^ prepares^ you^ for^

the joke^ which^ follows

Ellipsis^ can^ also^ be^ used

to indicate^ a^ dramatic^

pause ‘.^.^ .’^ showing^ words

are

missing Writer’s word^ choices Emotive Emotive^ language^ is language

designed to^ make^ the^ reader^

feel something^ and^ have

an emotional^ response

to^ the text.

‐This^ helps^ involve^ the

reader^ and^ make^ them feel^ a^ particular^ way. It^ creates^ an^ emotional

response^ from^ the reader^ (^ eg^ anger,^ shock,

guilt^ ). It^ is^ often^ used^ to^ manipulate

readers’^ feelings It^ can^ create^ a^ positive

or^ negative^ effect ‐^ For^ example: The^ hunted^ animals

are^ not^ killed^ quickly

that^ is^ a^ myth.^ There

is^ a^ long^ agonising^ chase before^ they^ are^ ripped

limb^ from^ limb.

The^ leaflet^ is^ intended

to^ be^ persuasive^ and

its use^ of^ emotive^ language

helps^ convey^ its powerful^ message.^

Use^ of^ the^ word ‘agonising’^ to^ describe

the^ chase^ creates^ the impression^ that^ the

suffering^ experienced

in the^ chase^ is^ immense.

The^ word^ ’ripped’^ is

a powerfully^ emotive

word^ which^ conveys

the brutality^ of^ the^ death

of^ these^ hunted animals.

Imagery^ Simile^ A^ figure

of^ speech^ that expresses^ a^ resemblance between^ things^ of^ different kinds (usually^ formed^ with 'like' or 'as') Metaphor A figure of^ speech^ in^ which^

an expression^ is^ used^ to

‐^ This^ helps compare create^ an^ image^ within

the reader's^ mind,^ which

helps^ interest^ them

in the^ text ‐^ For^ example: 'Cold^ as^ snow' ‐^ This^ helps^ create^ an

image^ within^ the reader's^ mind,^ which

helps^ interest^ them

in

‘This^ earth‐shattering

event^ will^ blow^ your mind^ away’ Puns^ A^ pun

is^ a^ play^ on^ words.^

Puns usually^ use^ words^ that

have^ a double^ meaning^ or^

that sounds^ the^ same^ but

have different^ meanings

‐^ Puns^ are^ often^ considered

witty^ and^ are^ used to^ engage^ the^ reader

by^ making^ them^ laugh.

It is^ a^ clever^ use^ of^ language. ‐^ For^ example: ‘The^ Burning^ Issue’ (^ The^ headline^ for^ an

article^ on^ deforestation

The^ pun^ effectively ) connects^ the^ reader

with the^ subject^ of^ the^ article

in^ a^ sharp^ and focused^ way.^ Deforestation

is^ about^ the burning^ down^ of^ forests

but^ the^ writer^ has also^ established^ his

debating^ point^ through the^ title,^ because^ it^

is^ a^ burning^ issue^ –^

a^ hot topic^ that^ needs^ to^

be^ considered^ seriously.