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The Evolution of Human Values: From Inherent Dignity to Modern Dehumanization - Prof. Carl, Study notes of Education Planning And Management

The shift in western societal beliefs about human value, from the inherent worth of individuals in pre-twentieth century thinking to the dehumanization of the twentieth century. It delves into the philosophies and art of the time that influenced these perspectives, including the enlightenment, the french revolution, and the romantic movement.

Typology: Study notes

2010/2011

Uploaded on 05/02/2011

techie7160
techie7160 🇺🇸

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Part 1 Summary
1. Most Western societies believed that human beings possessed an inherent value.
2. Because the value was inherent, it could not be taken away
A. A pre-Twentieth Century view of human nature
or destroyed by individuals, groups or governments.
a) Originated in the philosophies of Seventeenth Century
writers, thinkers, politicians and artists.
b) Attempted to redefine humanity in the absence of the
1. Only the ability to reason gives dignity to human beings.
2. The denial of absolute truth led to a diminished faith in the
absolute value of each human being.
B. A Twentieth Century view of human nature
I. Introduction
a) One clear result has been the dehumanization of people.
b) This has contributed, in part, to extreme cruelty such as
that, for example, faced by the Jews in the 1930s and
1940s which has been the hallmark of the Twentieth
Century.
II. A Summary of Humanity’s Search for Meaning in the Modern Era
A. Rembrandt’s painting, The Shepherds Worship the Child (1646)
1. Illustrates the point that life has meaning because God has
given each human being a divine purpose for existence.
2. Conveys a message that undergirds almost all of classical
Western art up to the modern age.
B. Morton Schamberg’s sculpture, God (1917)
1. Portrayed God as impersonal and disconnectedonly a
concept.
2. Suggested that God exerts no personal influence on
humankind or society or provides any intrinsic value to
people.
C. Francis Bacon’s painting, Three Studies for Figures at the Base of a
Crucifixion (1944)
1. Portrayed modern humanity’s complete sense of isolation
from both God and fellow human beings.
2. Showed humanity in despair.
III. The Enlightenment and the French Revolution
A. Enlightenment philosophers affected culture and philosophy.
1. Rejected faith in church, Bible and monarchy
62. Believed humanity could create its own values and political
ideas without reference to the supernatural
3. Were committed to creating a man-made utopia
4. Began “Age of Reason”
5. Enlightenment philosophy, in part, resulted in the French
Revolution
B. Philosophers of the Enlightenment
1. François Voltaire (1694-1778)
a) Criticized Bible and organized religion.
b) Saw biblical God as cruel and homicidal.
Notes For Final
Monday, March 07, 2011
9:51 AM
New Section 3 Page 1
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Part 1 Summary

  1. Most Western societies believed that human beings possessed an inherent value.
  2. Because the value was inherent, it could not be taken away A. A pre-Twentieth Century view of human nature or destroyed by individuals, groups or governments. a) Originated in the philosophies of Seventeenth Century writers, thinkers, politicians and artists. b) Attempted to redefine humanity in the absence of the traditional notion of God.
  3. Only the ability to reason gives dignity to human beings.
  4. The denial of absolute truth led to a diminished faith in the absolute value of each human being. B. A Twentieth Century view of human nature I. Introduction a) One clear result has been the dehumanization of people. b) This has contributed, in part, to extreme cruelty such as that, for example, faced by the Jews in the 1930s and 1940s which has been the hallmark of the Twentieth Century. II. A Summary of Humanity’s Search for Meaning in the Modern Era A. Rembrandt’s painting, The Shepherds Worship the Child (1646)
  5. Illustrates the point that life has meaning because God has given each human being a divine purpose for existence.
  6. Conveys a message that undergirds almost all of classical Western art up to the modern age. B. Morton Schamberg’s sculpture, God (1917)
  7. Portrayed God as impersonal and disconnected—only a concept.
  8. Suggested that God exerts no personal influence on humankind or society or provides any intrinsic value to people. C. Francis Bacon’s painting, Three Studies for Figures at the Base of a Crucifixion (1944)
  9. Portrayed modern humanity’s complete sense of isolation from both God and fellow human beings.
  10. Showed humanity in despair. III. The Enlightenment and the French Revolution A. Enlightenment philosophers affected culture and philosophy.
  11. Rejected faith in church, Bible and monarchy
  12. Believed humanity could create its own values and political ideas without reference to the supernatural
  13. Were committed to creating a man-made utopia
  14. Began “Age of Reason”
  15. Enlightenment philosophy, in part, resulted in the French Revolution B. Philosophers of the Enlightenment
  16. François Voltaire (1694-1778) a) Criticized Bible and organized religion. b) Saw biblical God as cruel and homicidal.

• Notes For Final

Monday, March 07, 2011 9:51 AM

b) Saw biblical God as cruel and homicidal.

  1. Immanuel Kant (1724-1804) a) Believed man could create own truth. b) Viewed nature as a biological machine. c) Viewed God as merely mechanism for maintenance of nature. d) Believed only reality was experience and reason.
  2. Jean-Jacques Rousseau (1712-1778) a) Promoted freedom from all traditional or religious morality. b) Rejected faith in reason and civilization. c) Viewed individual as center of universe. d) Believed “Noble Savage” is superior to civilized man. e) Taught that individual freedoms should be preserved through the “general will” of the people. (1) Eventual consequence was nothing more than stateenforced tyranny (2) Enforced through process of cultural engineering, indoctrination and coercion 7IV. The Romantic Movement A. Primary ideas
  3. Rejected reason and traditional religion, in part a reaction to the French Revolution
  4. Turned to faith in nature and mysticism for inspiration
  5. Like Rousseau, held that people are naturally good until corrupted by society
  6. Wanted to create reality without constraints of religion, family or church B. Philosophers, writers, composers and artists of the Romantic Movement
  7. Ludwig van Beethoven (1770-1827) a) Used music to promote faith in the natural goodness of common man. b) Promoted faith in the goodness of nature.
  8. Lord Byron (1788-1824) a) Promoted faith in autonomous self rather than traditional moral values. b) Saw no essential difference between good and evil. c) Believed all knowledge is good.
  9. Francisco Goya (1746-1828) a) Satirized daily life, depicting fantastic events. b) Reintroduced mythology and mysticism to Western man’s consciousness. V. The Realist Period A. Primary ideas
  10. Reacted to sentimental romantic views.
  11. Produced unromantic, starkly realistic, even mundane work. B. Artists and poets
  12. Gustave Courbet (1819-1877) a) Produced art devoid of heroic, romantic or beautiful themes. b) Portrayed people without heroic or symbolic worth.
  13. Édouard Manet (1832-1883) a) Used unadorned, rather than sentimental, subject matter. b) Chose ordinary themes.