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An overview of the major art movements during the late 18th and 19th centuries, including neoclassicism, romanticism, realism, impressionism, and post-impressionism. The historical context, key artists, and representative works for each movement. Neoclassicism emphasizes the emulation of classical greek and roman art, while romanticism is an emotional and expressive reaction to neoclassicism. Realism focuses on depicting reality, and impressionism captures the rapid impression of the subject with an emphasis on light and color. Post-impressionism is a reaction to or movement beyond impressionism.
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Late 18th & 19th Centuries Chapter 20: Artforms by Preble/Frank, Revised 9th Ed. The AGE OF REASON (The Enlightenment) where a more rational and scientific approach to religious, political, social, and economic issues is seen. Belief in the importance of LIBERTY, SELF DETERMINATION, and PROGRESS initiates a more‐DETERMINATION, and PROGRESS initiates a more secular role for artists in society. Artists are free from traditional limitations, and pursue radical and innovative ideas as individuals, grouping together in STYLE GROUPS (the “ISMS”) that often are in competition with each other. The absence of traditional patrons (royalty, the church), gives rise to the Art Museum, the Art Gallery, and the Art Exhibit. These provide an income source to artists. Neoclassicism Romanticism Realism Impressionism Post Impressionism‐DETERMINATION, and PROGRESS initiates a more NEOCLASSICISM Emulation of Classical Greek and Roman Art (dominantly ROMAN.) Subject matter, realism, architecture, moral ideals. The art of the new republic in France. ART OF REASON (Calm, Rational, Unemotional, Ethical, Moral) Look for Greek or Greek styled imagery, strong realism, interiors defined by architectural‐DETERMINATION, and PROGRESS initiates a more forms, lots of drapery. Jacques Louis DAVID THE DEATH OF SOCRATES. 1784. Oil on Canvas OATH OF THE HORATII. 1784. Oil on Canvas
Oil on Canvas ROMANTICISM OPPOSITE REACTION to NEOCLASSICISM. Emotional, expressive, overly dramatic.‐DETERMINATION, and PROGRESS initiates a more (Romance not always positive – emotional) Subject matter often derived from sensational, exotic (oriental), or ROMANTIC subjects from literature or the world. Francisco GOYA John CONSTABLE Eugene DELACROIX Theodore GERICAULT Theodore Gericault. RAFT OF THE MEDUSA. 1819. Eugene Delacroix. THE DEATH OF SARDANAPALUS Eugene Delacroix. Liberty Leading the People (28 July 1830). Painted in the same year to commemorate the ‘July Revolution’, which removed King Charles X from power. Francisco de Goya. Condesa de Chinchón. 1800 La Maja vestida, 1800. La Maja desnuda, 1800. The SECOND OF MAY, 1808 ‐ 1814 1814 THE THIRD OF MAY, 1808 ‐ 1814 1814. Oil on canvas. Saturn Devouring His Sons 1808 12‐ 1814
"Luncheon on the Grass" "Olympia" CLAUDE MONET Considered to be the “Father of Impressionism”. Works between 1860 ‐DETERMINATION, and PROGRESS initiates a more 1910. Originally a political cartoonist, but discovered he enjoyed painting directly from nature. Taught by Eugene Boudin. Very influenced by Turner. Obsessed on how light changed, causing the colors to change. Painted many SERIES of specific subjects in order to capture the subject at different times of the day. The majority of his greatest paintings are housed in the Chicago Art Institute. Monet’s work (and Impressionism in general) is characterized by: Quick brushstrokes. Vivid colors that capture light. Low detail. “Impression: Sunrise” “Luncheon of the Boating Party” of Pierre Auguste Renoir.‐ 1814 POST IMPRESSIONISM‐ 1814 All Post Impressionist artists are reacting to or moving past Impressionist ideas which have‐DETERMINATION, and PROGRESS initiates a more become mainstream and are considered too limiting or restrictive. Each Post Impressionist has their own unique style, but all share a reference to‐DETERMINATION, and PROGRESS initiates a more Impressionist ideas. RODIN SEURAT CEZANNE VAN GOGH GAUGUIN LAUTREC