

Study with the several resources on Docsity
Earn points by helping other students or get them with a premium plan
Prepare for your exams
Study with the several resources on Docsity
Earn points to download
Earn points by helping other students or get them with a premium plan
Community
Ask the community for help and clear up your study doubts
Discover the best universities in your country according to Docsity users
Free resources
Download our free guides on studying techniques, anxiety management strategies, and thesis advice from Docsity tutors
The details of a compulsory level 4, 20-credit module for ba (hons) acting and ba (hons) actor musician students. The module, titled 'contextual studies 1 – theatre practice and practitioners', introduces students to influential theatre practitioners and their impact on actor training. Students will develop research skills and explore practical exercises related to weekly lectures. The module aims to enhance academic and research abilities, evaluate and analyze theories and practices, and understand the evolution of actor training.
Typology: Exercises
1 / 2
This page cannot be seen from the preview
Don't miss anything!
(2016+) Version 1
Module Title: Contextual Studies 1 – Theatre Practice and Practitioners Module code: TBC NQF level: Level 4 Credit value: 20 credits Semester of study: 1 and 2 Module type: Compulsory Pre-requisites: None Available to: BA (Hons) Acting and BA (Hons) Actor Musician Module overview Within this module students will be introduced to a range of key/seminal theatre practitioners which represent pivotal moments in the development of Actor training. These practitioners will span across theatre genres and will reflect practices currently being explored by the students in their practical Acting classes. Including Voice, Movement/Dance and Acting strands. Aims This module is designed to help you to develop research strategies and methodologies by looking at a range of influential practitioners across theatre and the development of theatre and performance training. These sessions are designed to reflect the scheme of work for Acting 1 – Fundamentals of Dramatic Techniques. Students will also further interrogate these theories through practical complementary sessions where students, in cohort groups, will explore practical exercises relating to the themes and content of the weekly lectures. The module aims to:
(2016+) Version 1 Contact hours and directed study (over semesters 1 and 2) Delivery type Student hours Indicative hours for learning and teaching activities 128 hours Indicative hours of directed study 72 hours Total hours (100hrs per 10 credits) 200 hours Opportunities for formative feedback Formative oral feedback will be given in tutorials and workshops. Assessment Method Description of assessment Length/Duration Weighting Module LOs addressed Group Performance 15 minutes 50 % 1, 2, 3 Group Presentation 15 minutes 50% 1, 2, 4 Re-Assessment Method Description of assessment Length/Duration Weighting Module LOs addressed* Group Performance 15 minutes 50 % 1, 2, 3 Group Presentation 15 minutes 50% 1, 2, 4 *The programme resit period is where students who require a resit, through academic failure or non-completion will be given an opportunity to resit the assessment in the same conditions as the first assessment point. Where this is not possible e.g. groups not being available, full-scale public performance, students will be given a comparable assessment alternative which meets the learning outcomes. Indicative Reading List Hirsch, F. (2005). Harold Prince and the American musical theatre. New York: Applause Theatre and Cinema Books. Adler, S. and Kissel, H. (2000). The art of acting. New York: Applause Theatre Books. Alfreds, M., 2008. Different Every Night: Freeing The Actor. Consortium Book Sales & Dist. Č ehov, M. and Callow, S. (2005). To the actor. London: Routledge - Taylor & Francis Group. Hagen, U., 2008. Respect for Acting. Wiley, John & Sons, Incorporated Stanislavski. (2013). An actor prepares. Reprint. London: Bloomsbury Academic. Houseman, B., 2007. Finding Your Voice: A Step-by-Step Guide for Actors. Theatre Communications Group Rodenburg, P., 1998. The Actor Speaks: Voice and the Performer (Performance Books). Methuen Drama. Lecoq, L., 2011. Moving Body. Bloomsbury USA Academic. Newlove, J. (2010). Laban for actors and dancers. New York: Routledge.