
Study with the several resources on Docsity
Earn points by helping other students or get them with a premium plan
Prepare for your exams
Study with the several resources on Docsity
Earn points to download
Earn points by helping other students or get them with a premium plan
Community
Ask the community for help and clear up your study doubts
Discover the best universities in your country according to Docsity users
Free resources
Download our free guides on studying techniques, anxiety management strategies, and thesis advice from Docsity tutors
Material Type: Assignment; Class: Special Studies in Music:; Subject: Music; University: University of Wisconsin - Milwaukee; Term: Spring 2007;
Typology: Assignments
1 / 1
This page cannot be seen from the preview
Don't miss anything!
Music 680: Special Topics in Music - Interactivity and Improvisation (Spring 2007) Class 5: February 21, 2007 assignment 3 due February 28 use fiddle~ and/or env~ to write data to arrays and then use that data (after the fact) to generate some kind of musical response again, not simple playback, but something based on analysis audio installation (David Dinnell) Alvin Lucier Small Waves and Empty Vessels David Tudor Rainforest Jim Campbell, Max Neuhaus, Liz Phillips reading Sergi Jorda, “Digital Instruments and Players: Part I - Efficiency and Apprenticeship,” Proceedings, 2004 New Instruments for Musical Expression (NIME04) Conference. Sergi Jorda, “Digital Instruments and Players: Part II - Diversity, Freedom, and Control,” Proceedings, 2004 International Computer Music Conference (ICMC04). enumerating the qualities of instruments balance: challenge, frustration, boredom playability, progression, learnability efficiency (complexity of output compared to complexity of input) and the notion of performer freedom to complicate this idea freedom of movement vs. freedom of choice output diversity: stylistic, performance, expressive levels of abstraction insistence upon improvisation as a quality of a musical instrument.... relationship between virtuosity and reproducibility in an expressive context.... as opposed to situations of nonlinearity and unpredictability ”confidence” as a measure of performative quality in this situations is the performer the master of any nonlinearities? (at some kind of meta-level) data processing windowing as a crude replacement for (or first step towards) phrase segmentation moving averages as a measurement of “drift” or evolution; continuity vs. contrast histogram a kind of representation which is itself a kind of analysis classifying and counting events thinning the problem of too much data: rate-limiting the problem of spurious data: “barrier” algorithms discarding events below a duration threshold discarding octave leaps preview: Applebaum, Bahn, Burtner - idiosyncratic/sensor-equipped instruments for improvisation more on signal analysis: advanced fiddle~ applications and bonk~ Desain and Honing: beat induction, rhythmic segmentation, and tempo tracking