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Assignment 3: Special Studies in Music - Interactivity and Improvisation | MUSIC 680, Assignments of Music

Material Type: Assignment; Class: Special Studies in Music:; Subject: Music; University: University of Wisconsin - Milwaukee; Term: Spring 2007;

Typology: Assignments

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Uploaded on 09/02/2009

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Music 680: Special Topics in Music - Interactivity and Improvisation (Spring 2007)
Class 5: February 21, 2007
assignment 3 due February 28
use fiddle~ and/or env~ to write data to arrays
and then use that data (after the fact) to generate some kind of musical response
again, not simple playback, but something based on analysis
audio installation (David Dinnell)
Alvin Lucier Small Waves and Empty Vessels
David Tudor Rainforest
Jim Campbell, Max Neuhaus, Liz Phillips
reading
Sergi Jorda, “Digital Instruments and Players: Part I - Efficiency and Apprenticeship,” Proceedings,
2004 New Instruments for Musical Expression (NIME04) Conference.
Sergi Jorda, “Digital Instruments and Players: Part II - Diversity, Freedom, and Control,”
Proceedings, 2004 International Computer Music Conference (ICMC04).
enumerating the qualities of instruments
balance: challenge, frustration, boredom
playability, progression, learnability
efficiency (complexity of output compared to complexity of input)
and the notion of performer freedom to complicate this idea
freedom of movement vs. freedom of choice
output diversity: stylistic, performance, expressive levels of abstraction
insistence upon improvisation as a quality of a musical instrument....
relationship between virtuosity and reproducibility in an expressive context....
as opposed to situations of nonlinearity and unpredictability
”confidence” as a measure of performative quality in this situations
is the performer the master of any nonlinearities? (at some kind of meta-level)
data processing
windowing
as a crude replacement for (or first step towards) phrase segmentation
moving averages
as a measurement of “drift” or evolution; continuity vs. contrast
histogram
a kind of representation which is itself a kind of analysis
classifying and counting events
thinning
the problem of too much data: rate-limiting
the problem of spurious data: “barrier” algorithms
discarding events below a duration threshold
discarding octave leaps
preview:
Applebaum, Bahn, Burtner - idiosyncratic/sensor-equipped instruments for improvisation
more on signal analysis: advanced fiddle~ applications and bonk~
Desain and Honing: beat induction, rhythmic segmentation, and tempo tracking

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Music 680: Special Topics in Music - Interactivity and Improvisation (Spring 2007) Class 5: February 21, 2007 assignment 3 due February 28 use fiddle~ and/or env~ to write data to arrays and then use that data (after the fact) to generate some kind of musical response again, not simple playback, but something based on analysis audio installation (David Dinnell) Alvin Lucier Small Waves and Empty Vessels David Tudor Rainforest Jim Campbell, Max Neuhaus, Liz Phillips reading Sergi Jorda, “Digital Instruments and Players: Part I - Efficiency and Apprenticeship,” Proceedings, 2004 New Instruments for Musical Expression (NIME04) Conference. Sergi Jorda, “Digital Instruments and Players: Part II - Diversity, Freedom, and Control,” Proceedings, 2004 International Computer Music Conference (ICMC04). enumerating the qualities of instruments balance: challenge, frustration, boredom playability, progression, learnability efficiency (complexity of output compared to complexity of input) and the notion of performer freedom to complicate this idea freedom of movement vs. freedom of choice output diversity: stylistic, performance, expressive levels of abstraction insistence upon improvisation as a quality of a musical instrument.... relationship between virtuosity and reproducibility in an expressive context.... as opposed to situations of nonlinearity and unpredictability ”confidence” as a measure of performative quality in this situations is the performer the master of any nonlinearities? (at some kind of meta-level) data processing windowing as a crude replacement for (or first step towards) phrase segmentation moving averages as a measurement of “drift” or evolution; continuity vs. contrast histogram a kind of representation which is itself a kind of analysis classifying and counting events thinning the problem of too much data: rate-limiting the problem of spurious data: “barrier” algorithms discarding events below a duration threshold discarding octave leaps preview: Applebaum, Bahn, Burtner - idiosyncratic/sensor-equipped instruments for improvisation more on signal analysis: advanced fiddle~ applications and bonk~ Desain and Honing: beat induction, rhythmic segmentation, and tempo tracking