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Analyzing Foster the People's Lyrics: Hyperbole, Personification, and Simile, Lecture notes of Poetry

An in-depth semantic analysis of Foster the People's album 'Torches'. The study identifies and explains the use of figurative language, including hyperbole, personification, and simile, in the song lyrics. The research is based on qualitative analysis using theories by Perrine and Leech.

What you will learn

  • What theories were used to analyze the semantic features in the song lyrics of Foster the People's album 'Torches'?
  • What semantic features are used in the song lyrics of Foster the People's album 'Torches'?
  • How does the use of hyperbole, personification, and simile contribute to the meaning of the song lyrics?

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A SEMANTIC STUDY OF SONG LYRICS OF FOSTER THE PEOPLE
BY
Komang Dian Permatajaya
English Department, Faculty of Letters and Culture, Udayana University
Abstrak
Studi ini difokuskan kepada analisis aspek semantik dari lirik-lirik lagu di
album Torches dari band Foster the People. Tujuan dari studi ini dibagi menjadi
dua. Pertama, studi ini bertujuan untuk mengidentifikasi fitur-fitur semantik
diantaranya hiperbola, personifikasi, dan simile yang ditemukan pada lirik-lirik
lagu di album Torches dari band Foster the People. Kedua, studi ini bertujuan
untuk menjelaskan makna kata dari fitur-fitur semantik diantaranya hiperbola,
personifikasi, and simile yang digunakan di dalam lirik-lirik lagu tersebut.
Metode yang digunakan untk memilih data pada studi ini adalah metode obervasi
dan teknik pengambilan catatan. Studi ini menganalisis secara kualitatif
berdasarkan teori figuratif dari Perrine (2005) dan teori makna kata dari
Geoffrey Leech (1974).
Hasil analisis dalam studi ini menunjukkan bahwa lirik-lirik lagu di album
Torches mengandung fitur-fitur semantik diantaranya hiperbola, personifikasi,
dan simile. Makna kata diantaranya makna konseptual, stylistik, and afektif juga
dipresentasikan di dalam fitur-fitur semantik tersebut. Fitur-fitur semantik dan
makna kata tersebut digunakan oleh penulis lagu dengan tujuan untuk menghibur
pendengar dari lagu-lagu tersebut.
Kata kunci: Lirik lagu, fitur-fitur semantik, makna kata.
1. Background of the Study
Language is the medium for people‟s communication. Specifically, people
express their thoughts through the language in written or spoken forms. Song
lyrics are also being the way in order to express the thoughts of people as the
development of art in today‟s life. Nowadays, song lyric is merely like poetry
since composing song lyric is not a simple and easy thing. Moreover, song lyric
have stanzas and lines like poetry does. It can be assumed that song lyric and
poetry are similar things that are only separated by their names and the way how
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A SEMANTIC STUDY OF SONG LYRICS OF FOSTER THE PEOPLE

BY

Komang Dian Permatajaya English Department, Faculty of Letters and Culture, Udayana University

Abstrak

Studi ini difokuskan kepada analisis aspek semantik dari lirik-lirik lagu di album Torches dari band Foster the People. Tujuan dari studi ini dibagi menjadi dua. Pertama, studi ini bertujuan untuk mengidentifikasi fitur-fitur semantik diantaranya hiperbola, personifikasi, dan simile yang ditemukan pada lirik-lirik lagu di album Torches dari band Foster the People. Kedua, studi ini bertujuan untuk menjelaskan makna kata dari fitur-fitur semantik diantaranya hiperbola, personifikasi, and simile yang digunakan di dalam lirik-lirik lagu tersebut. Metode yang digunakan untk memilih data pada studi ini adalah metode obervasi dan teknik pengambilan catatan. Studi ini menganalisis secara kualitatif berdasarkan teori figuratif dari Perrine (2005) dan teori makna kata dari Geoffrey Leech (1974). Hasil analisis dalam studi ini menunjukkan bahwa lirik-lirik lagu di album Torches mengandung fitur-fitur semantik diantaranya hiperbola, personifikasi, dan simile. Makna kata diantaranya makna konseptual, stylistik, and afektif juga dipresentasikan di dalam fitur-fitur semantik tersebut. Fitur-fitur semantik dan makna kata tersebut digunakan oleh penulis lagu dengan tujuan untuk menghibur pendengar dari lagu-lagu tersebut.

Kata kunci: Lirik lagu, fitur-fitur semantik, makna kata.

  1. Background of the Study Language is the medium for people‟s communication. Specifically, people

express their thoughts through the language in written or spoken forms. Song

lyrics are also being the way in order to express the thoughts of people as the

development of art in today‟s life. Nowadays, song lyric is merely like poetry

since composing song lyric is not a simple and easy thing. Moreover, song lyric

have stanzas and lines like poetry does. It can be assumed that song lyric and

poetry are similar things that are only separated by their names and the way how

they are delivered by its users. Every lyric absolutely have meanings within.

Those meanings are much related with the study of semantic. There are several

linguistic aspects of the songs such as semantic aspects and their meanings are

discussed in this study. Those semantic aspects are hyperbole, personification and

simile, and those meanings are conceptual meaning, stylistic meaning, and

affective meaning. The data that were used in this study are the song lyrics from

the album Torches by an American band, Foster the People.

  1. Problems of the Study Referring to the background illustrated previously, two research questions are the focus of the current study: a) What semantic features are found in the song lyrics in album “Torches” by Foster the People? b) What meanings of the semantic features are expressed in the song lyrics in the album?
  2. Aims of the Study a) To identify the semantic features such as hyperbole, personification, and simile those are found in the song lyrics in album “Torches” by Foster the People. b) To explain the meanings of semantic features, among others hyperbole, personification, and simile, which are used in the song lyrics in the album.
  3. Research Method The data used in this study were obtained from song lyrics of Foster the People„s album “torches” that consists of 10 songs, namely “Helena Beat”, “Pumped Up Kicks”, “Call It What You Want”, “Don't Stop (Color on the Walls)”, “Waste”, “I Will Do Anything for You”, “Houdini”, “Life on the Nickel”, “Miss You”, and “Warrant”. The method and technique used in

delivered in the service of truth. It can be seen that the writer of this song lyric writes an exaggerated word to support his plead in saying a truth to God as the person in this song is a reflection of himself and his life.

b) Personification According to Perrine (Arp, T. R., & Johnson, 2005: 73) personification consists in giving the attributes of a human being to an animal, an object, or a concept. It is really a subtype of metaphor, an implied comparison in which the figurative term of the comparison is always a human being. In other words, an animal, object, or a concept is given human characteristic.

  1. “My smokes have come and gone ” ( line 33 ) This sentence is written in the song lyric “Life on the Nickel”. The sentence above is indicated a personification. The word “smokes” in the sentence above is given the attributes of human being as it is said in the sentence that the smokes have come and gone. Word “smokes” in this sentence is an object that did an action like human being. What the writer means by “my smokes have some and gone” is his bad habit in using drugs. As we can see in some movies, drugs are available in many variants. It can be in form of hard or liquid. In its using process, sometimes drugs produce smokes if it is used by burned or steamed. Since this song is about the life of the song writer, Mark Foster, a former drug addict, who struggles and hustles whatever to get his drugs, but it is never enough, the sentence “my smokes have some and gone” in this lyric means that sometimes he gets his drugs but sometimes he cannot have it. He always gets something lower that what he expects. He does not have the money to feed his wrong habit. An implied comparison of this sentence as it is a personification with human being is the word “smokes” in this sentence does something like what it is used to be done by human being. The word “smokes” is illustrated like it can come and go like human being. In fact, smokes can do nothing. It is just an object that is controlled by the air. However,

with a sense of personification, the word “smokes” in this song lyric can do something like human being.

c) Simile According to Perrine (Arp, T. R., & Johnson, 2005: 70) metaphor and simile are both used as a means of comparing things that are essentially unlike. The only distinction between them is that in simile the comparison is expressed by the use of some word or phrase, such as like, as, than, similar to, resembles or seems; in metaphor the comparison is implied – that is, the figurative term is substituted for or identified with the literal term.

  1. “Beat stroking this like things I think are right” ( line 21-22 ) This sentence is written in the song lyric “Miss You”. In the sentence above, the existence of the word “like” is indicating a simile. The word “like” in the sentence above is used as a means of comparison as it is written in the song lyric that the person in song lyric believes that his “strike” is the same like things he thinks are right. He compares those two essentially unlike things to convince himself about his action and his mind. What the “beat stroking” means in this sentence is actually the person‟s habit as the person in the song lyric is the reflection of the song writer, Mark Foster. This song is about a guy who tries drugs despite he fears of using it at the beginning. At first, the person believes that what he does is right. However, in the end of the song lyric, it is described that the person in the song lyric changes his habit for his loved one.

d) Conceptual meaning Leech (1974: 11) states that the aims of conceptual meaning is to provide, for any given interpretation of a sentence, a configuration of abstract symbol, that shows exactly what we require to know if we are to distinguish that meaning from all other possible sentence meanings in the

f) Affective meaning Leech (1974: 16) states that affective meaning is one type of meaning that reflects the personal feeling of the speaker, including his attitude to the listener, or his attitude to something he is talking about.

  1. “'Cause I'll be a listening ear to everything you say” ( line 5 ) This sentence is written in the song lyric “I Will Do Anything for You”. The sentence above is containing an affective meaning as in the sentence above written the good attitude of the writer as the speaker to the listener in the song lyric. There is an impression of politeness in the song lyric, as we know politeness is basically referred to self-sacrifice. In the song lyric above, the writer sacrifices himself to be a good listener to the person he talks to, especially to God. As this song is similar with a worship song, the writer politely tries to communicate with God through this song by saying that he will listen to everything God said. What this sentence really means is that the writer will be God‟s best listener by doing what is written in “God‟s way”.
  2. Conclusion The existence of semantic features in the song lyrics such as hyperbole, personification, and simile as the parts of figure of speech helps the listeners of this song to get the clear imagination about the song lyrics in their minds. On the other hand, the figure of speech which is related with the special way in using words makes the song lyrics become more interesting to the listeners. The listeners of the song lyrics will be entertained while they also get the knowledge about the figure of speech that is used in the song lyrics. Each part of figure of speech in the song lyric has its own important roles in building the song lyric and listeners‟ imagination. This study also analyzes the meanings those are contained in the semantic features in the song lyrics in the album Torches. The meanings those are found are conceptual meanings, stylistic meaning, and affective meaning. Each part of meanings in the semantic features in the song lyrics has its own important roles in helping the listeners to get the hidden messages behind the song lyrics.
  1. Bibliography Arp, Thomas. R., & Johnson, Greg. 2005. Perrine’s Sound and Sense: An introduction to poetry. Boston, Massachusets: Thomson Wadsworth. Leech, Geoffrey. 1974. Semantic. London: Penguin Semantics-Meanings, Etymology and the Lexicon. 2014. Teachit UK. Resources: http://www.teachit.co.uk/armoore/lang/semantic.htm