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San Carlo alle Quattro Fontane: Borromini's Baroque Masterpiece in Rome, Study notes of Architecture

An overview of san carlo alle quattro fontane, a baroque architectural gem designed by francesco borromini in rome, italy. Commissioned by cardinal francesco barberini in 1634, the church is a part of a complex for the spanish trinitarians. Known for its unique undulating facade and intricate interior design, the document discusses the architectural elements, including the concave-convex exterior and the oval coffered dome with its hierarchical structuring of light.

What you will learn

  • When was San Carlo alle Quattro Fontane commissioned?
  • How is light used in the interior design of San Carlo alle Quattro Fontane?
  • What is unique about the exterior design of San Carlo alle Quattro Fontane?

Typology: Study notes

2021/2022

Uploaded on 09/12/2022

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88. San Carlo alle Quattro Fontane Rome, Italy (3 Images)
Francesco Borromini (architect). 1638-1646 C.E. Stone and stucco
Video at Khan Academy
first independent commission for Borromini
o He received the commission in 1634, under the patronage of Cardinal
Francesco Barberini, whose palace was across the road
iconic masterpiece of Baroque architecture
built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish
Trinitarians, an order dedicated to the freeing of Christian slaves
SW corner of intersection with four fountains
Exterior:
o The concave-convex facade of San Carlo undulates in a non-classic way
o Corinthian columns, statues, ovals
Interior: The church interior is both extraordinary and complex
o The three principal parts can be identified vertically as the lower order at
ground level, the transition zone of the pendentives and the oval coffered
dome with its oval lantern.
o The oval entablature to the dome has a 'crown' of foliage and frames a view
of deep set interlocking coffering of octagons, crosses and hexagons which
diminish in size the higher they rise. Light floods in from windows in the
lower dome that are hidden by the oval opening and from windows in the
side of the lantern. In a hierarchical structuring of light, the illuminated
lantern with its symbol of the Holy Trinity is the most brightly lit, the coffering
of the dome is thrown into sharp and deep relief and light gradually filters
downwards to the darker lower body of the church
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  1. San Carlo alle Quattro Fontane Rome, Italy (3 Images) Francesco Borromini (architect). 1638-1646 C.E. Stone and stucco

 Video at Khan Academy  first independent commission for Borromini o He received the commission in 1634, under the patronage of Cardinal Francesco Barberini, whose palace was across the road  iconic masterpiece of Baroque architecture  built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves  SW corner of intersection with four fountains  Exterior: o The concave-convex facade of San Carlo undulates in a non-classic way o Corinthian columns, statues, ovals  Interior: The church interior is both extraordinary and complex o The three principal parts can be identified vertically as the lower order at ground level, the transition zone of the pendentives and the oval coffered dome with its oval lantern. o The oval entablature to the dome has a 'crown' of foliage and frames a view of deep set interlocking coffering of octagons, crosses and hexagons which diminish in size the higher they rise. Light floods in from windows in the lower dome that are hidden by the oval opening and from windows in the side of the lantern. In a hierarchical structuring of light, the illuminated lantern with its symbol of the Holy Trinity is the most brightly lit, the coffering of the dome is thrown into sharp and deep relief and light gradually filters downwards to the darker lower body of the church