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Midterm Exam Answers and Questions from Art216, Italian Renaissance, Exams of Art

The answer key for a midterm exam focused on the italian renaissance period. The exam includes questions about various artists, their contributions, and the influence of humanism on art. The document also provides information about grading and the number of students who made each grade.

Typology: Exams

Pre 2010

Uploaded on 09/17/2009

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ART216, MIDTERM EXAM, FEB. 26 2008 ANSWER KEY
1. Q 12. M 23. OO 34. MM 45. A 56. E
2. X 13. T 24. U 35. H 46. D 57. D
3. R 14. D 25. CC 36. D 47. C or D 58. B
4. GG 15. JJ 26. E 37. C 48. D 59. A
5. AA 16. C 27. P 38. D 49. D 60. C
6. NN 17. TT 28. HH 39. C 50. D 61. D
7. Y 18. DD 29. II 40. A 51. D 62. B
8. FF 19. QQ 30. Z 41. D 52. C 63. C
9. W 20. G 31. UU 42. C 53. D 64. D
10. SS 21. LL 32. RR 43. A (or D) 54. A 65. A
11. Y 22. L 33. N 44. D 55. C
grading: 1 - 35 at 3 points each; 36 - 65 at 2 points each
total deducted from 200 (although the total point value = 165); the highest grade was 190; the
lowest grade was below 100.
52 people made A - C; 19 made a D or F, and the remainder (7) are still listed as being in the
class but did not show up.
Part 3 questions:
46. Which of the following developments is a direct result of the influence of humanism?
A) the increased interest in drawing
B) a renewed emphasis on the guild or workshop system of artistic labor
C) the elimination of religious subject matter
D) the growth of portrait paintings
47. The narrative program of the Stanza della Segnatura was probably invented by:
A) Raphael
B) Michelangelo
C) Pope Julius II
D) the Pope’s librarian
48. The iconography of the School of Athens is unusual because of the:
A) presence of philosophers in a painting
B) use of perspective to create a symbolic focus
C) the incorporation of Michelangelo into the painting
pf3

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ART216, MIDTERM EXAM, FEB. 26 2008 ANSWER KEY

1. Q 12. M 23. OO 34. MM 45. A 56. E

2. X 13. T 24. U 35. H 46. D 57. D

  1. R 14. D 25. CC 36. D 47. C or D 58. B
  2. GG 15. JJ 26. E 37. C 48. D 59. A
  3. AA 16. C 27. P 38. D 49. D 60. C
  4. NN 17. TT 28. HH 39. C 50. D 61. D
  5. Y 18. DD 29. II 40. A 51. D 62. B
  6. FF 19. QQ 30. Z 41. D 52. C 63. C
  7. W 20. G 31. UU 42. C 53. D 64. D
  8. SS 21. LL 32. RR 43. A (or D) 54. A 65. A
  9. Y 22. L 33. N 44. D 55. C

grading: 1 - 35 at 3 points each; 36 - 65 at 2 points each total deducted from 200 (although the total point value = 165); the highest grade was 190; the lowest grade was below 100. 52 people made A - C; 19 made a D or F, and the remainder (7) are still listed as being in the class but did not show up.

Part 3 questions:

  1. Which of the following developments is a direct result of the influence of humanism? A) the increased interest in drawing B) a renewed emphasis on the guild or workshop system of artistic labor C) the elimination of religious subject matter D) the growth of portrait paintings
  2. The narrative program of the Stanza della Segnatura was probably invented by: A) Raphael B) Michelangelo C) Pope Julius II D) the Pope’s librarian
  3. The iconography of the School of Athens is unusual because of the: A) presence of philosophers in a painting B) use of perspective to create a symbolic focus C) the incorporation of Michelangelo into the painting

D) the animation of the philosophers in the painting

  1. The psychological male portrait emerges first in the work of: A) Van Eyck B) Ghirlandaio C) Leonardo D) Raphael E) Titian
  2. Which of the following is the most important contribution of the Mona Lisa? A) the enigmatic smile on the woman B) the landscape behind the woman C) the absence of jewelry in the painting D) the 3/4 pose of the woman E) the mystery about who she is
  3. The artist associated with the naturalization of religious iconography is: A) Raphael B) Piero della Francesca C) Titian D) Leonardo E) Giorgione
  4. Representations of religious iconography became more varied in the Italian renaissance. Which of the following is the BEST explanation for this change? A) the Council of Trent imposed rules on what was acceptable and artist decided to ignore those rules B) Artists became more concerned with expressing their individuality in their art C) Religious patronage became more varied, and artist responded to the needs or wishes of those patrons D) After a new period of iconoclasm, artists had to reinvent religious iconography
  5. The most unique contribution of Leonardo’s Last Supper is: A) the confusion of St. John with Mary Magdalene B) the frontal orientation of the table C) moving one figure from the near side of the table to the side where everyone else sits D) the animated groups of figures in the painting E) the use of perspective
  6. Which of the following is NOT a good explanation of the rise of mannerist styles? A) The Office of the Holy Inquisition demanded the new style in painting B) Political instability in Rome was reflected in stylistic instability C) Artists rejected the perfection of the Renaissance D) Artists rejected the influence of classical art